Word: dialect
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Dates: during 1960-1969
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...ONLY PETER COOK . . . BUT ALSO DUDLEY MOORE (Decca). Two of the funny foursome of Beyond the Fringe make dialect ventures into such subjects as an order of leaping nuns and hanging The Laughing Cavalier in the "lav." They are every bit as beyond as ever...
...unfolds this simple tale with elemental force, and acts it accordingly. His natives are not the usual faceless blacks but human beings whose capacity for violence the hero quickly matches. In the script, sparely written by Clint Johnston and Don Peters, a few scraps of English dialogue and African dialect count for less than the surprise of a snapping twig or the insistent throb of drums, injected into the bloodstream of the film like so many shots of adrenaline. Without insulting modern Africa, Naked Prey writes the wild poetry of its past in raw colors...
...maladroit inspirations uncovered in Blindfold run from Negro and Italian dialect humor to some waggery about a boyish archvillain (Guy Stockwell) who stutters under stress. Endowed with a schizophrenia of its own, the whole movie suggests a three-way split between sophisticated sex farce, straightforward suspense, and a spy caper so whimsical that Rock and Claudia are finally sent, along with a truckload of store dummies clad in underwear, to right wrongs in a swampy Southern backwater identified as "the goose capital of America." There, with shotguns blazing and red-eyed alligators slithering toward Claudia's thighs, the whole...
...white) flag. Thus-with the Duke and Duchess of Kent looking on as Britain's official representatives-did the tiny, oven-hot colony mark its independence last week and start life anew as the nation of Guyana (pronounced guy-an-uh, meaning "land of waters" in an Amerindian dialect) and as the 23rd member of the British Commonwealth...
...there are no quote-marks and no stage directions, and there is no clear distinction made between the two voices by the language itself. Some parts of some songs are in a mad sort of recent Jazzese, the language of the post-vaudevillian Negro entertainer, without the furniture of dialect ("The jane is zoned! No nightspot here, no bar/there no sweet freeway, no premises..."); some of them talk about Henry (which is really the role of "his friend") in ordered, even ornate English: "Henry's pelt was put on sundry walls/where it did much resemble Henry..." Some...