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Word: dialectic (lookup in dictionary) (lookup stats)
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...TIME, Sept. 17). The trouble has been to keep the new, distinct, simple characters from being corrupted by the addition of old-style Turkish flourishes. Many a young Turk, once he has mastered the new letters at a Government school, goes home to his village and soon develops a "dialect alphabet" which only his closest intimates can read. How to wipe out this maddening balk of progress? Obviously, with typewriters...

Author: /time Magazine | Title: Foreign News: Dialect Alphabets | 8/12/1929 | See Source »

STREET SCENE-Pulitzer Prizewinning sequences of love, dialect and death in Manhattan's brownstone belt (TIME...

Author: /time Magazine | Title: Theatre: Best Plays in Manhattan: Jul. 29, 1929 | 7/29/1929 | See Source »

...Nize Baby", but even in the type of stories told. For example, in this latest work we again meet "De Boston Tea Potty", "Crissty Colombiss" and the perpetual menace of "Leetle Rad Riding Hood." But then perhaps the possibilities are limited. They are, indeed, between the Grossian and Burbigian dialects. As one well versed in the variations of 'English as she is spoke', this reviewer, at a guess, would say that the raconteur of Mr. Burbig's stories is of mixed Jewish and Italian parentage and that he learned his English somewhere in Amsterdam Ave. As a result the pristine...

Author: By H. F. S., | Title: BOOKENDS | 3/26/1929 | See Source »

...unanimous approval for its quiet and amusing story-that of a girl who, for the sake of getting things to write about, got herself a lover, and of the lover who regarded his good fortune as a grand passion. Alexander Carr, onetime half of "Potash and Perlmutter," gargled glib dialect as a Hebrew theatrical producer who instigated and later encouraged the literary liaison. Mary Carroll was the girl...

Author: /time Magazine | Title: Theater: New Plays in Manhattan: Jan. 28, 1929 | 1/28/1929 | See Source »

...characters speak in southern dialect, and to these northern ears seem to do it convincingly. But it is in this field that one discordant note rises. Amidst all this soft speaking the casting of the younger brother of the heroine has been such that the actor speaks in the nasal accent of toity-told street. This is really to be regretted as it is thoroughly jarring to pass from the melody of Helen Hayes to the harshness and total lack of southern accent of a supposed brother as impersonated by Andrew Lawlor...

Author: NO WRITER ATTRIBUTED | Title: The Crimson Playgoer | 11/3/1928 | See Source »

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