Word: dialectics
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Dates: during 1960-1969
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...Henry proves to be a lonely, lecherous, whimsical, unstable academic hipster in the process of growing old, with an extraordinary talent for becoming the people and things he likes. His friend is an odd presence at his elbow who cautions, encourages and describes him in minstrel-show dialect-a cranky Still Small Voice in blackface who is a part of, and yet apart from, Henry Pussycat/House...
...playwright brother Dominic (Posterity Be Damned) were once described as the most alarming combination since assault and battery. In this graceless little memoir Dominic sets out to recount some of the escapades that gave them their reputation. Although he sometimes strikes a rollicking note by writing in an Irish dialect as heavy as Kilkenny dew, all Dominic proves is that 1) Brendan, who died in 1964, was especially unattractive and unmanageable when in his cups; and 2) drunks seldom are very funny except to those who are sharing the same bottle...
...line with the increasing tolerance of American life, Negro-Jewish-Irish dialect jokes are just about dead, at least in public. More in tune is Negro Comedian Dick Gregory's definition of North and South: "In the South, they don't care how close I get as long as I don't get too big. In the North, they don't care how big I get as long as I don't get too close." Despite the disappearance of the old ethnic comedy, though, some sub rosa jokes still thrive, on the assumption that only...
Sort of a sippin' cousin to Greek ouzo or Turkish raki, pastis is a golden thirst quencher from the south of France that combines alcohol, herbs, licorice and anise and is mixed with water; the name in Provencal dialect literally means "mess." More than 350 brands are available, but Frenchmen usually call for a Ricard. As a result, Ricard Inc. has become the biggest aperitif maker in France, last year produced 30.6 million bottles, with sales of $66 million...
...scene end without tacking on her comment; except for a handful of courageous, long-suffering Negroes and Sheriff Brando, no Texan escapes being singed by a Statement. Brando ably plays the stereotyped champion of human rights that he seems compelled to endorse in film after film, changing only his dialect. Bloody, brutally beaten by local louts, he makes a final, desperate attack against prejudice and hatred while indifferent townsfolk stand by. Next morning, Marlon packs up Wife Angie Dickinson and hits the road. Heading straight North, like...