Word: dialectics
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Dates: during 1960-1969
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...army took the city of Béziers, a bastion of one of history's most romantic territories. The region covered all of present-day southern France. Its palaces were rich in art and dominated by the codes of courtly love. Its tongue was a strange and musical dialect that had given the region a flourishing literature of poetry and was to give it a name-Languedoc (for langue d'oc, literally, the language...
...Pamela Harris' charming portrayal of Miss Z which gave the production its lively quality. Her superb ear for dialect and speech rhythm, the expert manner in which she used her full vocal range, and the lovely lilt of her voice as she ended her statements with "mightn't I?" or "wouldn't it?" helped her to bring the character to life with remarkable naturalness. The sparkle of her eyes as she spoke and the adroitness with which she changed facial expressions and movements created humor in the domineering character of Miss Z. Subsequently, it became perfectly understandable to the audience...
...imperturbability. His Fifth Symphony is the product of one good month last summer; this summer he plans to write six concertos for neglected instruments such as the trombone and guitar. He swoops through the Alban hills in his Maserati, sunning himself in "the Italian humanity" and perfecting his Roman dialect. "I live in a tradition of German artists who have lived in Italy," he says. "Mozart, Goethe and Wagner all went to Italy, and when Handel stayed in Naples, he had 20 valets. I think that's wonderfully extraordinary...
...intends no social criticism (like Sahl), finds no side to comedy but the comic. He has never (like Bruce) depended on Negro or Jewish dialect for laughs, knowing that the vulnerable do not enjoy being kidded. His comedy is eager and innocent; he plays to the child in Everyman, allowing no room in his spectrum for the off-color, no time in his world for anything but the basic games of laughter, song and pantomime. While others find subject for sport in drugs, dames, madmen and sit-ins, Danny Kaye looks around, beyond and behind him toward a world where...
...cantata is scored for three vocal soloists, a chorus and orchestra, and is based on the Fastnacht, or pre-Lenten festival, for which Mainz is famous. The text, partly by Hindemith and partly by Playwright Carl Zuckmayer, has the soprano and tenor soloists singing only in Mainzer dialect while the baritone sings in high German. Soprano and tenor are supposed to be watching an imaginary Fastnacht procession passing before them as they face the audience, and in the roles of low comics exchange opinions with the baritone about the history of Mainz. The exchange gives Hindemith the chance...