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Undisturbed by the absence of a plot, the stars race after one another in a cluster of flashy production numbers. Not content with one run-through of "Alexander's Ragtime Band," for example, the entire cast pursues the piece in any mimicable dialect--all with gusto and girls. The finale is especially typical, with everything in motion. A gigantic pedestal moves up and down, banners swirl, toe dancers spin about, and jugglers far in the background fling objects into whatever space remains. The effect is quite fulsome, and with the exception of Marilyn, a wholesome and generally entertaining musical...

Author: By Cliff F. Thompson, | Title: There's No Business Like Show Business | 1/4/1955 | See Source »

...night a month ago, Gray Leakey was challenged by prowling armed terrorists. In their own dialect, he told them that he was unarmed, turned his back and strolled away. True to his expectations, they let him go unharmed. One evening last fortnight, however, as Leakey, his wife and his stepdaughter Diana Hartley were having supper at the farm, a band of 30 Mau Mau swarmed out of the woods. Mrs. Leakey rushed to the bathroom with her daughter and helped her escape through a trap door into an attic above. Mrs. Leakey herself was too weak to follow. When Diana...

Author: /time Magazine | Title: KENYA: Blood Brother | 11/1/1954 | See Source »

There are two short stories in this Advocate, both unpretentious and excellently written. Except for a few lines of mutually embarrassing dialect ("Da Jevvys don't want no one screwin' roun' wi dat pia-ano . . ."), Frederick Kimball's account of an artist in Jesuit clothing moves serenely to its well-ordained conclusion. Christopher Lasch's story of boy's despair before a more accomplished, less dependent companion never loses subtlety at the expense of clarity...

Author: NO WRITER ATTRIBUTED | Title: The Advocate | 10/1/1954 | See Source »

...poems, and told his son: "A man who hasn't worked on the [Odes] is like one who stands with his face to a wall." In this volume. Poet Ezra Pound makes a free and brilliant translation, even to the use of jazz idioms and hillbilly dialect...

Author: /time Magazine | Title: Books: Confucius to Pound | 9/13/1954 | See Source »

...Rome bureau's tutor is Giorgio Vanucci, who learned his English in Allied prison camps during the war. He speaks pure Tuscan, has little tolerance for Anglicized Italian or the intrusion of Roman dialect. Occasionally his uncompromising stand on pronunciation produces mutinous rumblings among his TIME students...

Author: /time Magazine | Title: A Letter From The Publisher, may 24, 1954 | 5/24/1954 | See Source »

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