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Word: dialectics (lookup in dictionary) (lookup stats)
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...least one brainy companion who could translate my friendly language into his tongue of undying carnal love..." If men and women start out speaking different languages, then Grace Paley's voice seems one of the most effective translations, into the language of the short story, of that female dialect...

Author: By Phil Patton, | Title: Enormous Changes, Minutely Traced | 3/18/1974 | See Source »

...achievement. But the force of personality in Jerry Bruck's crisp, clear documentary is very simple: Stone is a kind of fanatic, a crazyman--squinting out at the world from behind thick glasses, he is dogged in his commitment to investigative reporting. In Washington, where lying is the local dialect, Stone has to be eccentric, avoiding the cocktail circuit and the large, compromised publications, working like mad to interpret volumes of rhetoric. He's a unique and admirable figure, whose contribution to the public's right to know spans 20 years. I.F. Stone was one of the few positive forces...

Author: By Emily Fisher and Richard Turner, S | Title: Thank You Richard Nixon: Ten Movies | 1/24/1974 | See Source »

Like masters of more exalted arts, Cartoonist Walt Kelly succeeded in turning an imaginary landscape into a public preserve. With pen and wit he put together the world of Pogo, an inspired amalgam of bogs, hollow stumps, hog-jowl dialect and cheery absurdity. There, over 150 anthropomorphic critters gnawed away at the English language, baring kernels of political meaning, and carried on not-so-innocent satires of human pomposity. Phineas T. Bridgeport, the Barnum of bears, orated in billboard letters that burlesqued hucksterism everywhere. "Nuclear physics ain't so new and it ain't so clear," declared Rowland...

Author: /time Magazine | Title: The Press: Bard of Okefenokee | 10/29/1973 | See Source »

...Pogo. Pogo began taking shape during World War II. Kelly served as a civilian with the Army's foreign-language unit, where he picked up a special affection for the Southern dialect that was to become the patois of Pogo. (Though Kelly began using the Okefenokee setting in cartoons in 1942, he did not visit the swamp until 1955.) In 1948 he joined the short-lived New York Star as art director, editorial adviser and political cartoonist; he also donated Pogo strips to the impoverished paper. The Star folded the following year, but Pogo survived in the New York...

Author: /time Magazine | Title: The Press: Bard of Okefenokee | 10/29/1973 | See Source »

Harvard waged a diabolical war on my dialect and speech patterns that was both morally and aesthetically wrong. I had to choose between being a Southern girl who was somehow a Cliffie and being a Radcliffe Eliza Dolittle who felt terribly out of place and uncomfortable. It was either a "dyahlemmah" or a "dulimma" but I lost either...

Author: By Ellen A. Cooper, | Title: A Hick Versus Harvard | 10/27/1973 | See Source »

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