Search Details

Word: dialects (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...play it hot or sweet, highbrow or low-down. Wideman takes risks that do not always pay off. Writing in dialect is dangerous, and there are labored passages of multicultural rap that combine Shakespeare's Tempest and Third World politics: "Today's lesson is this immortal play about colonialism, imperialism, recidivism, the royal f over of weak by strong, colored by white, many by few, or, if you will, the birth of the nation's blues seen through the fish-eye lens of a fee fi foe englishmon...

Author: /time Magazine | Title: Books: Lion Man Among the Ruins | 10/1/1990 | See Source »

...Confidential Guide sinks to simple racism. Professor Orlando Patterson's Foreign Cultures 46, Caribbean Societies, is described in dialect...

Author: NO WRITER ATTRIBUTED | Title: Confi-Guide Is Racist | 9/12/1990 | See Source »

...also apologize for what is perhaps an even greater error. During the editing process, the review was changed from its original form. The original review opened with a paragraph parodying Caribbean dialect; the new version greatly expanded on the parody. In an attempt to make the review more humorous, the editing process greatly increased its offensive content...

Author: NO WRITER ATTRIBUTED | Title: Editor's Note | 9/12/1990 | See Source »

MacAdams doesn't come close to making his case for Hecht as "the most influential writer in the history of American movies." The racy dialect and hard-eyed urban fables associated with Hecht were in Hollywood's vocabulary virtually from the onslaught of sound in 1927. But MacAdams brings gusto to tales of Hecht's early days as a ruthless reporter and to his later, angry crusade as a pioneer Zionist. MacAdams also has a great source: Hecht's brio- filled 1954 autobiography, A Child of the Century...

Author: /time Magazine | Title: Books: They Made the Pictures Talk | 4/23/1990 | See Source »

Members of the cast and crew have unflinchingly remained true to the bleak realities of Fugard's vision, even down to the use of words in African dialect. Boesman and Lena are portrayed at a moment of severe crisis and, admirably, the performance does not shrink away from the appropriate intensity. The audience is rightly exhausted by the play's conclusion and deeply touched as well...

Author: By Liza M. Velazquez, | Title: A World Apart | 12/1/1989 | See Source »

Previous | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | Next