Word: dialog
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Dates: during 1930-1939
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Some of Author Faulkner's puns are better than others. Random sample: a horse which its owner could no longer afford to keep in the stall to which it was accustomed. In the wise-crackling dialog which makes up 90% of the book, even the heavy hero is allowed to say. when his mistress asks him if theirs was a case of love at first sight: "No, I had to look twice to believe my eyes...
...collection is The Adventures of the Black Girl in Her Search for God (published separately in 1933). Shaworshipers who have grown old along with their idol will welcome reverently these half-forgotten fragments; to neo-Shavians the book will have a more archeological interest. One lengthy dramatic dialog, originally intended as a part of Back to Methuselah, has never before been published, contains a masterly caricature of Paradoxologist Gilbert Keith Chesterton, under the inspired name of Immenso Champernoon...
Invitation to a Murder (by Rufus King; Ben Stein, producer). Never a Dashiell Hammett when he was writing his murder tales. Playwright King's dialog is bookish, lifeless, unconvincing. But he has a knack of conveying a sense of horror ; in one Invitation to a Murder scene a rich and powerful California lady lies in a deathlike trance, shrouded, while the grisly organ music of her funeral fills her mansion. Lorinda Channing (Gale Sondergaard) feigns death with the aid of a struggling physician (Walter Abel) to trap a relative who has been trying to poison her. Returning from...
...version an actual improvement. Even after Schoolteacher Paine's anxious revision of the revision, David Copperfield is a better book than it was. Many a reader who thinks himself a Dickens-lover could read this version without noticing any changes. None of the famed scenes, characters, dialog is missing. In the English edition Graves shows the kind of thing that is missing by printing a chapter of the original at the end of the book. The contrast is all in his favor. Author Graves's reason for rewriting. David Copperfield was not only that Dickens had padded...
...drawling commentary by Will James, interrupted by occasional dialog between human characters, accompanies the career of Smoky, a range-loving mustang who becomes leader of his herd by outfacing a mountain lion. After being trained to the saddle by broncho-busting Clint (Victor Jory), Smoky is stolen and beaten by a cowhand he once threw. At length he stamps his captor to death, heads for the open range. Clint gives him up for lost, goes away to be a meatpacker. Captured, Smoky becomes successively a rodeo broncho, a riding horse, a junkman's nag. Just as he ambles into...