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...needed three men to satisfy her comprehensive fixation on her father. The play's famed soliloquies indicating the thoughts of the characters are retained. As in the play they are of three kinds: 1) to show the secret mind of the speaker; 2) to comment on the dialog; 3) to tell the audience what has happened offstage. As in the play the first kind gives a gathering dramatic effect, the other two are nuisances. These are recorded on the sound track by a double exposure process, the characters meanwhile standing immobile and expressionless facing each other. This gives...

Author: /time Magazine | Title: Cinema: The New Pictures: Jul. 25, 1932 | 7/25/1932 | See Source »

...naiveté suggests a Chaplin who can talk. He makes Merton's grand gesture of presenting the extra girl with a wrist watch hilarious by the way he says: "It's a little token of my esteem and . . . it's guaranteed." Director William Beaudine had fine dialog to work with and he put in a few sharp touches of his own. The gross face of an anonymous cinemaddict who is almost strangled by his amusement at the preview of Merton's picture, underscores the gesture of shame with which Merton rolls up his cowboy hat, hides...

Author: /time Magazine | Title: Cinema: The New Pictures: Jul. 11, 1932 | 7/11/1932 | See Source »

...Swiss health resort. He has developed a hacking cough and a rude way with waiters. Miss Colbert here insists on going back to Clive Brook. But when he finds that she really loves the surgeon, Brook goes off to a cafe, drinks himself to death on highballs. Sample dialog: A lady who sees Brook in the cafe saying, "Did you see that man's expression? Ooh! It frightened...

Author: /time Magazine | Title: Cinema: The New Pictures: Jul. 4, 1932 | 7/4/1932 | See Source »

...quality of effortless authenticity. It is not exactly acting? no one could be taught to say "bhointt up" as Cagney says it without being raised in sight of Brooklyn Bridge?but it is funny. Warner Brothers may have underpaid Actor Cagney but they have always given him good dialog. His comment after listening to a piano recital: "That guy has a great left 'hand." After bickering for two months (TIME, May 9) about his $1.600 weekly salary which he considered outrageously low, Cinemactor Cagney was last fortnight said to have reached an agreement with his employers, but last week...

Author: /time Magazine | Title: Cinema: State of the Industry | 6/27/1932 | See Source »

Monte Carlo Madness (UFA). Bombarded by Hollywood cinemas with for- eign dialog, European producers have tried to retaliate by making pictures in English. Trying it herein, UFA wisely chose a comedy of the type which German Director Ernst Lubitsch has made popular in the U. S., with Sari Maritza, an actress who reached Hollywood before the picture reached Manhattan, in the leading role. Monte Carlo Madness, as anyone who has ever seen a cinema about Monte Carlo should guess, is no glum study of dementia praecox. The legend from which the plot was derived concerns the captain of a destroyer...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 13, 1932 | 6/13/1932 | See Source »

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