Search Details

Word: dialogi (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...seeing the picture will question for a moment Miss West's claim to sole authorship of the two-line vaudeville gags which serve for dialog. Typical cracks: "A man in the house is worth two on the street." "That guy's no good. His mother should have thrown him away and kept the stork." "What is your favorite sport? Don't embarrass me. boys." (In front of a picture): "It's an old master, you know. . . . . It looks like an old mistress to me. . . ." "Are you here for good? Well, I'm here...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 24, 1934 | 9/24/1934 | See Source »

...usually ends. Father Gibson is suspicious of Dude Rancher Jack Hamilton's past, orders him away from Daughter Sally. Lacking the gusto of Maxwell House's Show Boat, The Gibson Family's first program was chiefly remarkable for its experiment with new music. Much of its dialog was silly and few of its singers were Grade A. Particularly objectionable to first nighters was the "baby talk" of one girl performer (Loretta Clemens). Last week's best song: "Under Your Spell...

Author: /time Magazine | Title: Music: Radio Musicomedy | 9/24/1934 | See Source »

...southern circuit judge who takes mildly to Bourbon whiskey. Will Rogers, too old to be the main love interest, assumes again, as he did in Handy Andy, the role of matchmaker for younger members of the cast. Presented with dialog patterned after Irvin S. Cobb's quiet Judge Priest stories and permitted but a minimum of head-ducking. Funnyman Rogers is a less hackneyed philosopher than he was in earlier films. Time is the slow Kentucky '90s. Plot is concerned with a judge who is fond of his nephew who is fond of the pretty but poor white...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 24, 1934 | 9/24/1934 | See Source »

Adapted from incidents in Robert Hamilton Bruce Lockhart's autobiography. British Agent is lifted a notch above the level of run-of-the-mill spy pictures by the eloquent dialog by Laird Doyle, by expert performances by Howard and Francis. Good shot: a firing squad dealing with one of Locke's confreres...

Author: /time Magazine | Title: Cinema: Operatic Opener | 9/17/1934 | See Source »

King Vidor says: "I can't make a picture unless I have a feeling about it." His slowness in communicating his feelings during story conferences irritates writers and producers. He cannot write dialog or construct a story himself but has a talent for squeezing the last drop of emotion out of any well-written scene. He came to Hollywood with his wife Florence 18 years ago in a rattletrap Ford, stealing gas and tires on the way, bringing with him a camera record of the trip. Since then he has made such silent pictures as The Big Parade...

Author: /time Magazine | Title: Cinema: DeMille's 60th | 8/27/1934 | See Source »

Previous | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | Next