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Close Harmony (Paramount). John V. A. Weaver wrote most of the dialog and Elsie Janis the story of this picture. Designed with no higher aim than to give Buddy (Charles) Rogers a chance to play the saxophone, it turned out better than you would expect. Nancy Carroll splits up a vaudeville team by flirting with each member in turn so that Rogers can get their booking. Best shot: vaudeville love in the back seat...

Author: /time Magazine | Title: Cinema: The New Pictures May 13, 1929 | 5/13/1929 | See Source »

Best current pictures arranged (A) according to merit, (B) according to the money they made last week: (A) The Passion of Joan of Arc- superb silent study of a saint's trial and death. The Divine Lady-Admiral Nelson ashore. Alibi-skillful, authentic crook-play with dialog. The Letter- Maugham melodrama with Jeanne Eagels and good synchronization. Madame X- marks a spot where old-fashioned melodrama becomes good entertainment. (B) The Broadway Melody (records everywhere); The Wild Party ($30,500 Granada, San Francisco); Weary River ($26.300, Strand, Brooklyn); The Barker ($25,000, Loew's State, Los Angeles...

Author: /time Magazine | Title: Citation | 5/13/1929 | See Source »

Coquette (United Artists). In this dialog adaptation of an immensely successful stage play, Mary Pickford was faced with certain difficulties. The girl in the play is 18. Mary Pickford is known to be 36 and generally believed to be 39. The girl in-the play, emotionally mature, is a-passionate, complex personality. Mary Pickford has-created most of her reputation playing girls whose naivete was proved as thoroughly by their, actions-as by their wide-open blue eyes and the ringlets which hung, symbols of virginity, on their thin shoulders. On the stage, able young Actress Helen Hayes...

Author: /time Magazine | Title: Cinema: The New Pictures Apr. 22, 1929 | 4/22/1929 | See Source »

...Parade." Alibi (United Artists) is more credible than most crook pictures. Director Roland West makes it move fast by spacing dialog with pantomime. Chester Morris gives a valid interpretation of a young man who. in the beginning, comes out of jail a gunman, and in the end goes back, still a gunman, because he cannot prove that-he was in the theatre with a policeman's daughter at the moment-when a detective was murdered. Worst shot-prolonged death of the detective. Best sound shot- liquor gurgling out of a carafe...

Author: /time Magazine | Title: Cinema: The New Pictures Apr. 22, 1929 | 4/22/1929 | See Source »

...INTERLUDE-Eugene O'Neill's curious, long, effective expedition into the human soul (TIME, Feb. 13, 1928). STREET SCENE-A slice of tenement life, deftly cut (TIME, Jan. 21). JOURNEY'S END-Ten men in a World War dugout (TIME, April 1). LIGHT HOLIDAY-The brightest dialog of the season (TIME, Dec. 10). CAPRICE-Alfred Lunt and Lynn Fontanne in a merry importation (TIME, Jan. 14). KIBITZER-The preposterous adventures of a Jewish know-it-all in the stock market (TIME, March 4). MUSICAL Best light lines, legs and lyrics: Hold Everything, Whoopee, Follow Thru...

Author: /time Magazine | Title: The Theatre: Best Plays in Manhattan: Apr. 22, 1929 | 4/22/1929 | See Source »

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