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Scenes of ballerinas, nudes, and jockeys at the racetrack dominate Degas’ work, and the curators have hung the exhibit thematically to highlight the ways Degas reworked familiar images to generate “dialogue?? between the pieces...

Author: By Natalie I. Sherman, CRIMSON STAFF WRITER | Title: Degas Exhibition Comes Full Circle At Sackler | 7/29/2005 | See Source »

Professors say it is not uncommon for authors to publish opposing papers in economics journals. But many in the field say that the tone of the Hoxby-Rothstein dialogue??and Rothstein’s decision to challenge a star of the economics field in his second year as a professor—sets it apart from past exchanges...

Author: By Javier C. Hernandez, CRIMSON STAFF WRITER | Title: Star Ec Prof Caught in Academic Feud | 7/8/2005 | See Source »

...added that he enjoyed the back-and-forth nature of the discussion, commenting that he thought a “productive dialogue?? had taken place...

Author: NO WRITER ATTRIBUTED | Title: Kerry Speaks at IOP Luncheon | 3/8/2005 | See Source »

...intelligent than white people? It is totally unacceptable for the president of the best university in the country to imply that half of the students at his school are naturally disadvantaged in their mental capacities, simply because they are women. I will not have an ‘open dialogue?? about that...

Author: By Andrew Golis, | Title: Leadership, Larry and the Left | 2/8/2005 | See Source »

...movie, Shall We Dance?, has a dance card full of big-name actors but leaves its audience with little other than bruised toes. A remake of Japanese director Masayuki Suo’s 1996 film of the same title—from which it imports most scenes and some dialogue??the movie ultimately seems as bungling on its feet as many of the characters it portrays. John Clark (Richard Gere) wants to ballroom dance. In Suo’s Japanese film this is understandably mortifying because, as a voiceover tells us at the outset...

Author: NO WRITER ATTRIBUTED | Title: Happening | 11/19/2004 | See Source »

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