Word: diamond
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Dates: during 1980-1989
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...Baker boys need to refurbish their tired act. But Susie Diamond (Michelle Pfeiffer) is not at first glance an answered prayer. She totters into their lives on a broken high heel, late for her audition and not exactly thrilled to be there in any case. But wonder of wonders, she can sing. And both onstage and off, she combines worldliness and vulnerability in a way that shakes up audiences as well as her new employers...
...claimed she was kidnaped at knifepoint from a Fort Lauderdale restaurant parking lot and raped twice. The jury's verdict last week: not guilty, on the ground that she had solicited sex. "We all feel she asked for it for the way she was dressed," explained jury foreman Roy Diamond...
...hope, however, is not lost. In true Hollywood fashion, the heroine enters to save the day. Michelle Pfeiffer stumbles in, three hours late, with broken shoes and a mouthful of chewing gum. She is Suzie Diamond, an entrancing former employee of the Triple A Escort Service. Tired of being the glittering wrist ornament of shoe vendors and lug-wrench magnates, Suzie hopes a nightclub microphone can lead her to a better life...
...voice is phenomenal, her stage presence at once imposing and inviting. Pfeiffer gives to Suzie Diamond such a joyous, sultry energy that all who listen feel the spirit of the music surround and lift them. They actually believe and wish all those old torch songs to be true. Suzie's version of "Machine' Whoopee" on top of Jack's piano is straight out of Hollywood history and perfectly executed...
Klores avoids putting the two brothers into direct conflict over Diamond by making Frank happily married with children. The movie instead focuses on a battle for Jack's soul. On one side is Suzie, representing a passionate love of jazz, the extreme, the bold and the dangerous. On the other is Frank--safe, married, dependable, boring...