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...Edgar V. Thomas ‘05, the recent terrorist attacks in Washington D.C. and New York are a glaring reminder of the constant dark cloud of violence he fled in his native war-torn Sierra Leone. Following the erruption of civil war in this West African, diamond-rich country, rebels gained control of the United Nations-occupied capital, Freetown, where Edgar and his family lived. “I had to pack my whole life into two suitcases,” Edgar recalls in a calm, matter-of-fact tone...

Author: By Amelia E. Lester and Antoinette C. Nwandu, CRIMSON STAFF WRITERS | Title: Flight From Freetown | 9/27/2001 | See Source »

Hailing from Diamond Bar, Calif., Ogbechie has been consistently posting hitting percentages over...

Author: By Daniel M. Sirotkin, CONTRIBUTING WRITER | Title: W. Volleyball Swept by Huskies | 9/26/2001 | See Source »

...Hunt. He baptized former bad-boy athlete Deion (Neon) Sanders and befriended him, along with a host of luminaries like Natalie Cole. He flies on charter planes or in first-class seats, sups with a coterie in a room known as "the king's table," sports a large diamond ring and dresses like the multimillionaire...

Author: /time Magazine | Title: Spirit Raiser | 9/17/2001 | See Source »

...Following a classical precedent, Richter was commissioned to paint an altarpiece for the Cathedral of Padre Pio in Foggia, Italy. But Richter’s response was anything but classical: instead of presenting the piou with a limpid Christ hanging from a traditional crucifix, he painted a series of diamond-shaped canvases with a dense, rich red paint. Shades of yellow underpainting shine through the red pigments in spots, making his canvasses positively luminous. The Cathedral of Padre Pio rejected Richter’s works as being too abstract, but the Cathedral’s loss is Venice?...

Author: By Christina B. Rosenberger, CRIMSON STAFF WRITER | Title: Burning Up: Art Sizzles at the Biennale | 9/14/2001 | See Source »

...only strictly literary problem might seem to arise among those authors whose novels describe the lives of the poor. It would not make sense, or be good business, for example, to portray the Joad family traveling west in a sleek eight-cylinder Packard sedan, Tom Joad's diamond Rolex flashing in the Dust Bowl air. The poor do not make good ads..... Or do they? Might be edgy possibilities here, a kind of Walker Evans chic - a good spread in Vanity Fair, page after page of gaunt black-and-white shots, weathered Depression faces, a certain erotic poverty...

Author: /time Magazine | Title: When Novels Become Commercials | 9/3/2001 | See Source »

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