Word: diana
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Dates: during 1990-1999
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...Diana was a princess, but there are many princesses in Europe, none of whom ever came close to capturing the popular imagination the way she did. Princess Grace of Monaco was perhaps the nearest thing, but then she had really been a movie star, which surely provided the vital luster to her role as figurehead of a country that is little more than a gambling casino on the southern coast of France. The rather louche glamour of Monaco's royal family is nothing compared with the fading but still palpable grandeur of the British monarchy. To those who savor such...
...Diana not only married into the British monarchy but was the offspring of a family, the Spencers, that is at least as old as the British royal family and considers itself in some ways to be rather grander. It is not rare in England to hear the Spencers' Englishness compared favorably with the "foreign" (German) background of the Windsors. The famous speech, given by Diana's younger brother, the Earl of Spencer, at her funeral in London, with its barely contained hostility toward his royal in-laws, moved many people at the time but was in fact an exercise...
...Diana had snob appeal to burn. But that alone would not have secured her popularity. Most of the people who worshipped her, who read every tidbit about her in the gossip press and hung up pictures of her in their rooms, were not social snobs. Like Princess Grace of Monaco, Diana was a celebrity royal. She was a movie star who never actually appeared in a movie; in a sense her whole life was a movie, a serial melodrama acted out in public, with every twist and turn of the plot reported to a world audience. Diana was astute enough...
...sense, the quasi-religious mystique of royalty came full circle with Diana. Monarchy used to be based on divine right. But just as monarchy used religious trappings to justify its rule, modern show-biz celebrity has a way of slipping into a form of popular religion. It is surely not for nothing that an idolized pop singer of recent times so successfully exploited her given name, Madonna. One of the most traditional roles of religious idols is a sacrificial one; we project our sins onto them, and they bear our crosses in public...
...Diana was a sacrificial symbol in several ways. First she became the patron saint of victims, the sick, the discriminated against, the homeless. Then, partly through her real suffering at the hands of a rigidly formal family trained to play rigidly formal public roles, and partly through her shrewd manipulation of the press, Diana herself projected a compelling image of victimhood. Women in unhappy marriages identified with her; so did outsiders of one kind or another, ethnic, sexual or social. Like many religious idols, she was openly abused and ridiculed, in her case by the same press that stoked...