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...costar, who played his mother, was an exquisitely naturalistic actress named Diana Hyland. She was 18 years older than Travolta, had a young son and an uncertain medical history. They spent a lot of time together, talking quietly on the set. At the cast party, Travolta remembers, "we admitted not only a friendly attraction but a sexual one. The intensity of it was new to both of us." They "well, sort of kissed." Then Travolta left on an extended holiday, did some long thinking...

Author: /time Magazine | Title: High Steppin' to stardom | 4/3/1978 | See Source »

...quality I can't define even now?that I found so appealing. It exceeded anything physical. She had every color I ever imagined in a person." She told him that their six months together were the happiest time of her life. While he was making Saturday Night Fever, Diana Hyland died of cancer...

Author: /time Magazine | Title: High Steppin' to stardom | 4/3/1978 | See Source »

Though the increasingly Rubensian Elizabeth Taylor is a good choice to play the aging actress heroine, Prince has photographed his star so uncharitably that she looks like a raunchy barmaid. Most of the supporting players, including the talented Len Cariou, are stage actors with no screen presence. At least Diana Rigg and Hermione Gingold, playing the cattiest of the women in Hugh Wheeler's overly bitchy script, provide Night Music with a glimmer of razzle-dazzle...

Author: /time Magazine | Title: Cinema: Schmaltz Waltz | 3/27/1978 | See Source »

...world into a materialistic culture. However, the basic religious tenets of ISKCON do not differ from its fellow Vaishnava sects in India. ISKCON adheres to the same rituals and doctrines of other Vaishnava sects and has not compromised the basic Vaishnava religious traditions in coming to the United States, Diana L. Eck, assistant professor of Religion, who has studied the sects, says...

Author: By James L. Tyson, | Title: 'Hare Hare' | 3/9/1978 | See Source »

...everyone buys her. One elder of the beauty biz finds the California look distinctly boring. "There have, always been superstars," says Diana Vreeland, who worked as an editor of Bazaar and then Vogue for four decades. She cites Veruschka, one of her own discoveries, from the '60s, "an artist who did the most extraordinary things with herself." The '60s, Vreeland feels, were more interesting. She considers the naturalism of the present period cloying. "There's too much blowing in the wind. At one time, it was fashionable to be made up and it was not fashionable to have your clothes...

Author: /time Magazine | Title: The All-American Model | 3/6/1978 | See Source »

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