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...same time, the U.S. was moving to sever its last remaining ties to Chalabi. The decision to cut Chalabi's U.S. funding--a $335,000 monthly retainer paid by the DIA to the I.N.C. as part of the Information Collection Program (ICP), an I.N.C.-run operation aimed at gathering intel on the former regime--came on May 8, according to someone familiar with the plan. It occurred at a principals' meeting attended by Defense Secretary Donald Rumsfeld, Secretary of State Colin Powell, National Security Adviser Condoleezza Rice and CIA director George Tenet. On May 13, DIA officials who worked with...

Author: /time Magazine | Title: From Friend to Foe | 5/31/2004 | See Source »

...involve dozens of agents and a full arsenal of investigative techniques, possibly including court-authorized searches and wiretaps. The probe will examine whether U.S. officials illegally transmitted state secrets to the I.N.C. The investigation could ultimately reach high-ranking civilian officials at the Pentagon and the Defense Intelligence Agency (DIA) who have dealings with Chalabi and his organization...

Author: /time Magazine | Title: From Friend to Foe | 5/31/2004 | See Source »

MISC | El Dia de Los Muertos Celebration...

Author: By Crimson Staff, | Title: Listings, Oct. 31-Nov. 6 | 10/31/2003 | See Source »

Upstairs at Dia is what could only be called the lair of Louise Bourgeois, who inhabits the space like a crazy old aunt in the attic. Born in 1911, Bourgeois is one of the founding figures of feminist art, and what she does has very little to do with the sanitary composure of Minimalism. Nothing could be further removed from Judd's mute boxes than the psychodrama of Bourgeois's sculptural pieces, with their sources in the clammiest corners of the psyche and in the meat and moisture of the human body. In recent years she has been showing variations...

Author: /time Magazine | Title: Art: Let's Supersize It! | 5/26/2003 | See Source »

...Hudson Valley, where Dia: Beacon is located, is the place where 19th century American painters discovered the sublime in the natural world, the tradition that some of the Dia artists extend. As the museum settles in further, it can use its 31-acre site to display work outdoors. That is the setting in which Minimalist sculpture makes its most beckoning stand, flaunting its otherness against that worthy opponent, nature. Over the long, slow run, Dia: Beacon may be precisely the place to resolve the question of how to value some of our most imponderable artists. An important part...

Author: /time Magazine | Title: Art: Let's Supersize It! | 5/26/2003 | See Source »

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