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...phrase, "Quién es el tapado?"-Who is the hooded one? In other words, what man was the all-powerful Party of Revolutionary Institutions (P.R.I.) secretly choosing to be the country's next President? Last week the guessing was over. The P.R.I.'s choice is Gustavo Diaz Ordaz, 52, Secretary of Government in the Cabinet of incumbent President Adolfo López Mateos. Diaz Ordaz' title obscured his real importance. As a combination Interior Minister and Home Secretary, he is López Mateos' right-hand...

Author: /time Magazine | Title: Mexico: Presidential March: Left, Right | 11/15/1963 | See Source »

...City in the bloody 1910 revolution. In those days, 835 rich families controlled 97% of the country's cultivated land. But not for long. In 1913, leading a band of armed riders, Revolutionary Major Lucio Blanco seized the 370-acre estate of a nephew of deposed Dictator Porfirio Diaz. Blanco divided the land, and seven campesinos were ushered to their new property. That was 50 years ago this week...

Author: /time Magazine | Title: Mexico: The Land-Reform Lesson | 8/30/1963 | See Source »

Among other forebears of the Queen, not all recognized by Burke's, are Shakespeare, three clergymen, an innkeeper, Frederick the Great of Prussia, a plumber, and Spain's11th century hero, Rodrigo (El Cid) Diaz de Bivar. Elizabeth's surviving kinsfolk include eight-year-old Kira Alexandrine Harris of Amarillo, Texas...

Author: /time Magazine | Title: World: A Catalogue of Coronets, Some Cut-Rate | 2/1/1963 | See Source »

...more interesting, less well-known selections Diaz presented were Sainz's Campanas del Alba and Lauro's Two Venezuelan Dances. The Sainz is a tremulo peice very reminiscent of Tarrega's Recuerdos de la Alhambra, but far more haunting and piercing. A technically demanding work, Diaz gave it a powerful presentation. Even more impressive was his performance of the Lauro Dances, which romp all over the fretboard...

Author: By Joseph M. Russin, | Title: Alirio Diaz | 2/8/1962 | See Source »

...While Diaz was not perfect, any attempt to pick out faults would be quibbling. My only complaint might be that there was too much richness and intensity for one evening. There seemed to be no end to the beauty in Diaz's Hauser guitar...

Author: By Joseph M. Russin, | Title: Alirio Diaz | 2/8/1962 | See Source »

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