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...finale may be some kind of landmark in cinema typecasting, perhaps not unrelated to Frank Sinatra's new chairmanship of the American-Italian Anti-Defamation League. As Lee and his soulmate sister-in-law (Angie Dickinson) battle their way up through the syndicate hierarchy in pursuit of his $93,000, it turns out that the evil big shots seem neither to have been born in Sicily nor to be afflicted with five o'clock shadow, but bear such names as Brewster, Carter and Fairfax. The biggest mobster of them all (Carroll O'Connor) is downright refined. Arriving...

Author: /time Magazine | Title: Cinema: Cash Customer | 9/22/1967 | See Source »

...Among them: Father Robert T. Francoeur, 36, an assistant professor of biology at New Jersey's Fairleigh Dickinson University and a co-founder of the N.AP.R., who got married last June...

Author: /time Magazine | Title: Roman Catholics: Talking Back to Rome | 9/15/1967 | See Source »

...first slave regiment mustered into the service of the United States. Among his extensive literary output was an account of his Civil War experiences and observations, Army Life in a Black Regiment, a magnificent classic that was recently reprinted in paperback; and he was the first to encourage Emily Dickinson, whose poetry he eventually edited...

Author: By Caldwell Titcomb, | Title: Negro History Museum Opens New Exhibit | 7/21/1967 | See Source »

...HOPE PRESENTS THE CHRYSLER THEATER (NBC, 9-10 p.m.).* "And Baby Makes Five," the story of a successful Madison Avenue type who finally decides that he'd rather switch jobs and fight the system. Cliff Robertson plays the adman turned crusading small-town editor; Angie Dickinson is his fashion-model wife. Repeat...

Author: /time Magazine | Title: Television: Jun. 16, 1967 | 6/16/1967 | See Source »

COPLAND: TWELVE POEMS OF EMILY DICKINSON (CBS). Copland's song cycle deals with the same subjects as Mahler's Das Lied: love, death, nature. But there are no romantic mists to invite reverie in Dickinson's crystalline verses, and Copland's music shades from an impressionistic to a literal approach. Macabre chords open the song I Felt a Funeral in My Brain; a fast-rising whir of melody introduces the line "There came a Wind like a Bugle." Sung by Soprano Adele Addison with the composer at the piano...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Jun. 9, 1967 | 6/9/1967 | See Source »

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