Word: dicks
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Dates: during 1920-1929
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Into "Invitation to Danger", too, enters that mysticism which never seems lacking in the best books of the sea. The main theme of "The Ancient Mariner", strong in "Moby Dick", is also as evident in every situation of Stanford's latest...
...innocent stories of the American Revolution and early Indian warfare in the East; 2) similar tales of the great plains and the pioneer West; 3) strenuous stories of New York detectives such as Old Cap Collier and Old Sleuth, of cosmopolitan boys like Jack Harkaway, or rovers like Deadwood Dick; 4) respectable stories of righteous messenger boys, of Nick Carter, Diamond Dick, Jesse James and Yale's hyper-athlete Frank Merriwell...
...Francisco Vasquez Coronado. who in 1541, looking for El Dorado, discovered Nebraska; Indians, led by Crow Chief Max Big Man; prairie schooners; oxcarts; stage coaches; a Mormon handcart which had been trundled across Nebraska by foot-sore Mormons So years before. In a stage coach rode the original "Deadwood Dick" Clark, now 83, proudly wearing his many-notched horse pistol, and the original "Poker Alice" Tubbs, now 76. smoking her big black cigar. Eleven appropriately furnished floats represented "The Parade of Nations." On a twelfth float was a large kettle decked with flags-"The Melting Pot." Beside...
...barmaid named Minnie is heroine of the David Belasco play which Puccini adapted. She keeps a saloon in a California mining camp, reads the Bible to drunkards, guards their money. Among them is Sheriff Jack Rance. He loves her, but Minnie, by the end of the first act, prefers Dick Johnson, outlaw in disguise. Rance obtains proof that Johnson is the bandit Ramarrez and tells Minnie. The big scene occurs when she confronts Johnson with her knowledge and drives him out into the storm. He is wounded just outside the door and she drags him in again and hides...
...awarded an eight-foot wreath, Belasco was "divinely happy." Yet he declared he was happier last week. Jeritza and he took a dozen bows together. He kissed her hand. She kissed his cheek. The other players did not count. As Forty-Niners they were patently masquerading. Tenor Giovanni Martinelli (Dick Johnson) had suffered and sobbed in the best Italian manner. Baritone Lawrence Tibbett (Jack Rance) was more credible, but looked funny in an Abraham Lincoln makeup. It was Jeritza who raised the performance above incongruity, saved the plot from appearing like any cinematic melodrama. She made comedy in the first...