Word: dictional
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Dates: during 1960-1969
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...Glee Club and Choral Society together with the New England Conservatory Chorus, made up the chorus. As could only have been expected from three of Boston's best choral groups, they performed well. The blend was good (they sang as sections, not as individuals), and the diction was adequate, though I doubt they could have given more. Since every singer dreams of performing in Beethoven's Ninth, it is not surprising that the chorus's contribution was gusty and exuberant...
...prepared an excellent edition of La Commedia that offers the original Italian and a faithful prose translation on opposite pages. But for the reader without Italian, the most satisfactory versions are those in blank verse. Lawrence Grant White is both accurate and musical, and Henry Wadsworth Longfellow, though his diction is at times antique, presents passages of stunning power and precision. Unfortunately, neither of these is readily available at this writing. In preparing the translations of this article, TIME'S editors principally consulted White, Longfellow-and Dante...
...members of the Choir speak Russian, and they sing from transliterations. Nevertheless, their diction was excellent. Even in the hymn "Lord, Have Mercy," in which an extremely difficult phrase is repeated rapidly and loudly, their pronounciation was flawless...
...Glee Club is often foiled in its aim to get the text across by a bad setting. The singers work their hardest, but the result is ... zip. Although Friday night's texts were all in the program, it really wasn't necessary to follow them. Between the singers' crystalline diction, and Thompson's limpid settings, the words came across...
...reliance on diction and neglect of theatricality that makes Danton a bore. No one's timing is good. The guillotining scene is no more than a babble of voices; Herault-Sechelles' last line is almost lost. Danton's is. The skillful performances of Chapman and Miss Esterman must be enjoyed without relation to the rest of the play...