Search Details

Word: dictional (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...great English tragedy is incomparably closer to achieving its original objective than it was when it opened in 1945. What makes the difference in this strangely improved production is the supporting cast, which has undergone a complete transformation since the opening. Gone are the foreign accents, the faltering diction, the awkward pace of the original Gertrude, Claudius, and Polonius; in their place an almost perfect supporting trio has appeared. As the queen, Doris Lloyd gives a performance which is remarkable for its interpretation of a difficult role; Henry Edwards keeps up a distinctly superior standard as the unsympathetic Claudius...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 4/23/1947 | See Source »

...Sanctus for high and a Supplicationes for low voices were, perhaps, the best of the sacred offerings. The Radcliffe group has mellowed in the past year, although an absence of really first-rate soprano voices is still evident in the lovely Sanctus. Singing the Supplicationes with fine balance and diction, the low voices sacrificed some precision as Professor Woodworth wisely kept to the earnest simplicity of this work...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 3/26/1947 | See Source »

Folk Songs and Ballads (Susan Reed, with zither and Irish harp; Victor, 6 sides). Twenty-year-old Susie's voice is sweet, her diction pure and her zither a little flat. A big attraction in Greenwich Village, her ways may be too sophisticated and stylized for plain folks. Performance: good...

Author: /time Magazine | Title: Music: New Records, Feb. 10, 1947 | 2/10/1947 | See Source »

...Ingrid Bergman went an honor that was unlikely to provoke public controversy: the International Sound Research Institute gave her its annual award for good diction...

Author: /time Magazine | Title: People: People, Dec. 16, 1946 | 12/16/1946 | See Source »

...production, but it surely did not add to the necessarily exact timing between the orchestra, solo voices, and chorus. And despite the obvious virtues of understanding gained by using English words, no one interested in music will ever be reconciled to hearing the quick rhymes and smooth-flowing Italian diction of librettist Lorenzo Da Ponte exchanged for the ponderous, ungainly English of even so able translator as Edward Dent...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 11/25/1946 | See Source »

Previous | 94 | 95 | 96 | 97 | 98 | 99 | 100 | 101 | 102 | 103 | 104 | 105 | 106 | 107 | 108 | 109 | 110 | 111 | 112 | 113 | 114 | Next