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...crises ensue, crises that threaten to spoil their romantic intentions-Jack for Gwendolen Fairfax and Algernon for his intended bride Cecily Cardew. Of the younger female interpretations, Lauren Waisbren gives the role of Cecily Cardew, Worthing's ward, a more ditzy than shrewd rendering, though her phrasing, timing and diction are all impeccable. As her mirrored comrade (and adversary, depending on the scene) Gwendolen, Jennifer Moxin puts her considerable comic vitality to fine work here in what is sometimes mildly bizarre exaggeration, sometimes farcical explosiveness. These two work particularly well together and they fashion Wilde's brilliant Act Two confrontation...

Author: By Michelle Kung, CONTRIBUTING WRITER | Title: Somerville's Wilde Life | 4/14/2000 | See Source »

...hotly awaited follow-up to her debut CD, Way Back to Paradise, Broadway's most adventurous singer offers a shrewdly mixed bill of old favorites (The Man That Got Away) and postmodern show tunes (Come Down from the Tree). Her silver voice is smoky yet refined, her diction clear as a cold mountain stream. Best of all is a passionately sung medley of Leonard Bernstein's Somewhere and Adam Guettel's How Glory Goes (from Floyd Collins), which she turns into a haunting declaration of doubt-flecked faith...

Author: /time Magazine | Title: Music: How Glory Goes | 3/13/2000 | See Source »

...chronological span of Gorey's work runs from the hornbook-inspired Eclectic Abecedarium through the Jazz Age-naughtiness of The Curious Sofa but will budge no further. An enthusiasm for the obsolete furnishes his rooms with daguerreotypes, gramophones and bell-pulls, and his diction matches the furniture-- his characters say things like "Mercy!" and "Drat!." Gorey's nonsense verse is the direct descendant of Edward Lear's and Lewis Carroll's, and, as it would be impossible to transplant Lear or Carroll to another era, Gorey inherits their Victorian world along with their spirit...

Author: By Annie Bourneuf, CONTRIBUTING WRITER | Title: Gorey Loses His Touch | 10/15/1999 | See Source »

...other local neohomesteaders, the family grew its own tomatoes, slaughtered its own cattle, and kept in touch with the wider world almost solely through National Public Radio. "Those utterly sober, almost somnolent male voices always seemed very homelike," Purdy recalls, perhaps revealing a central influence on his own hypercivilized diction. When the family broke down and bought an old TV set to view a hotly contested World Series one fall, the device ended up in the basement, and the children allowed themselves to watch it only as payment for completed chores. "My sister and I devised a system of viewing...

Author: /time Magazine | Title: Books: Optimist In a Jaded Age | 9/20/1999 | See Source »

That the tone and diction of Elegy have an almost prosaic feel is not an insult to (NOT READABLE) Thus, Jones' long lines and frequent enjambment aid his devotion to his text and to his images. Well-crafted, careful expressions then carry the rhythm and pulse of the pieces and allow the poems to remain true and real...

Author: By Sarah D. Redmond, | Title: Outgrowing the Dixie Cup | 4/30/1999 | See Source »

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