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Brooding over so-called horror movies and their influence on adolescents, Variety pointed out, in its most scholarly diction, that many psychiatrists disagree with "that element of the public which ascribes juve delinquency to crime pix and the harmful effect of horror pix on the young mind." Among the dissenters: Dr. Martin Grotjahn, associate clinical professor of psychiatry at the University of Southern California School of Medicine, who thinks that / Was a Teenage Werewolf, Blood of Dracula, etc. provide a means of "self-administered psychiatric therapy for America's adolescents.'' His cathartic argument: "Certain childhood anxieties never...

Author: /time Magazine | Title: Cinema: Catharsis | 6/16/1958 | See Source »

Personality. Eloquent and hardworking, he gets to his office at 8:30 each morning, has been known to make as many as 16 speeches in a single day. Has a rapid walk, fastidiously precise diction, and a temper that can erupt over the slightest clumsiness on the part of a subordinate. Married to the daughter of his former Strasbourg landlady, he eats sparingly, drinks scarcely at all, likes long walks, the opera and Russian novels...

Author: /time Magazine | Title: Foreign News: MAN IN THE MIDDLE | 5/26/1958 | See Source »

...contrast to this unevenly matched couple is Sangazure and Pointdextre as played by Elizabeth Stearns and David Stone. Both are fine actors and, although Miss Stearns' diction is a trifle unclear, their singing is good enough to make their first act duet one of the highpoints of the evening...

Author: By James A. Sharaf, | Title: The Sorcerer | 4/25/1958 | See Source »

...shadow-striped, tuxedo-style suit with smudgy white bow tie, he hit Looking at You with a rubbery, infectious beat, breathed out There Goes My Heart in one elastic sigh, quavered in a high, thin falsetto through My One and Only Love. His phrasing was fresh, his diction irreproachable, his dramatic sense unfailing. But it was the intimate, haunting quality of his voice that brought the audience alive. It has a kind of choirboy innocence hooked with a Cole Porter leer...

Author: /time Magazine | Title: Music: Vegas & All | 3/10/1958 | See Source »

Colette's equipment as a singer includes a resonant, dark-hued voice, meticulous diction, and a direct, snub-nosed charm that audiences find a welcome relief from the involuted agonizings of the Juliette Greco school. Several weeks ago she took a leave from the role that made her famous, moved to Paris' Olympia music hall. With such songs as Zon, zon, zon, L'Orphéon, and Ou va-t-on se nicher?, she brought down the house and moved the sprightly critical review Arts to lyrical flights: "She has lovely broad shoulders and fine big arms...

Author: /time Magazine | Title: Music: The Girl from Montmartre | 2/10/1958 | See Source »

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