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...role of the faithful daughter Antigone, Nancy Dersofi is most convincing, and extremely graceful to watch. Erich Segal is exemplary as the wily Creon. Royall Tyler appropriately spits out his lines in portraying the ardent but hypocritical Polyneices. David Shillman's Theseus suffers only from unclearly articulated diction; otherwise he manages to grasp the psychological changes that Theseus undergoes during the course of the play. Amy Mims is adequate, if a bit stiff, as Antigone's sister Ismene...

Author: By Caldwell Titcomb, | Title: Oedipus at Colonus | 4/21/1956 | See Source »

...small chorus wasn't so effective for madrigals as the infinitesimal chorus, but it still was very good. The singers were more carefully trained than in their earlier concerts; the tone was seldom forced, and the diction was marvellous. I could understand almost every word, even in the contrapuntal sections. By itself the Radcliffe Choral Society sang three madrigals very well indeed. The best of these was Four Arms, Two Necks, One Wreathing by Weelkes. In some of the madrigals, however, Woodworth conducted with too much rubato. In this music the note values always slow down when the text demands...

Author: By Stephen Addiss, | Title: Harvard-Radcliffe Choruses | 2/27/1956 | See Source »

Dougherty is highly critical of Edmund Wilson's New Yorker article on the Scrolls which appeared on May 14, 1955. "He has taken one hypothetical interpretation, dressed it up in exciting diction, and presented it to those who can read but not evaluate. That is mischief. Dupont-Sommer's (a professor at the Sorbonne) sensational and unproved thesis, adopted by Wilson, was that the Qumran documents revealed an anticipation of Christianity in the sect of the Essenes...

Author: By Gavin R. W. scott, | Title: The Dead Sea Scrolls: A Story of Uncertainty | 2/16/1956 | See Source »

Both the Harvard and Radcliffe groups had excellent diction. I was able to understand almost every word they sang, despite the barn-like acoustics of the Union. A lovely French carol, Le Miracle de Saint Nicholas, was especially well articulated by the Radcliffe Chorus and six soloists. Among the modern pieces which Radcliffe performed were Britten's exquisite Balulalow, originally written for children's voices, and Christmas Bell by Thomas Beveridge '59. Beveridge combined modal harmony to a nicely vocal melody but, for the only time during the concert, the singers' intonation was somewhat faulty. Radcliffe sang Vaughan Williams' Winter...

Author: By Stephen Addiss, | Title: The Freshman Glee Clubs | 12/20/1955 | See Source »

...inadequate one. If Christopher Plummber had rendered Warwick American-style, the result would have been ludicrous. Happily, he has adopted all the confidence of the cynical Englishman looking down upon fifteenth century France. He is also an amusing, if unnecessary, intermediary between play and audience; through distinguished diction he fills this function well...

Author: By Gavin R. W. scott, | Title: The Lark | 10/31/1955 | See Source »

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