Word: didi
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Dates: during 1960-1969
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...their personalities are as vacuous, as interchangeable; their dialogue has the same tentative, despairing quality. ("We are happy," one Mary says. "We are really and truly happy. Aren't we?" Are we really pretending?" Silence. "We are really and truly happy.") But though the Marys in Daisies share with Didi and Gogo a fundamental lack of human resonance, Chytilova's purpose has little in common with Beckett's lofty pursuit of silence. Rather Daisies is a meditation on the personal and social consequences of conspicuous consumption. Consumption is here equated with destruction (a fundamentally schizoid position--unable to deal with...
Underneath this droll gimmick, however, is much more. Rosencrantz and Guildenstern are at the center of Stoppard's work, and they become its tragic heroes. Like Didi and Gogo, who bide their time with games of the spirit while waiting for the never-to-appear Godot, Stoppard's heroes devise their own games to endure the waiting for their Godot...
...photographs of Robert F. Kennedy in California were taken by Didi Pei '68, who in his junior year was photo chairman of the Harvard Year-book, and who recently was working as a Kennedy campaign staff photographer in California. Some of the pictures were taken on the day Kennedy was shot. in America's procrustean political mechanisms. While Kennedy assured such blocs he would represent them, he also tried to give them a sense that their own participation, wholly apart from his own future, would in time yield results. The upshot of his pitch was a multiple victory: alienated blacks...
...song was equipped with Maldivian lyrics by the Maldives' late President, Amin Didi, who evidently took a fancy to the tune during his travels through the British Empire...
...minute, not exactly kicking and screaming, the lieutenant is hauled off to the hay by a muscular milkmaid (Didi Perego); the next he is watching a German tommy gun chop down a refugee...