Word: didnã
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...book about Robert Lowell, [Anne] Sexton, and [Sylvia] Plath. THC: How was it to be Robert Lowell’s protégé and work with Anne Sexton and Sylvia Plath? KS: I came to Boston on this wonderful fellowship to study with [Robert Lowell] and he didn??t know what to do with me because no one had done this before. So he introduced me to Sylvia Plath and Anne Sexton and said “Take care of her.” At the time—still, looking back on it?...
...self-degradation, and naiveté. According to Michaelis, Schulz harnessed this pervasive sadness in his life to aid his work; his wife Joyce comments that Schulz “was always sad” but that when she suggested he go see a psychiatrist, he simply answered that he didn??t want to, because “it will take away [his] talent.” While these details about Schulz are interesting and even endearing, they seem only to inevitably add to the mastery of the comics, and not so much to Schulz as a person. Michaelis...
...well as to engage Martin Pearlman, locally renowned music director of Boston Baroque, as a composer. “They trust Bob, as they have worked so much with him,” Pearlman says. Though the two radio plays already featured music, Scanlan always thought it didn??t quite fit. For a director whose greatest concern with Beckett is achieving “formal perfection,” Scanlan says that finding the right scores is just as important as finding the right cast. More than mere background melody, music plays an important role—even...
Zornow says that after a few weeks of lessons from a shifty Sam Ash salesman who charged 50 bucks an hour and, in retrospect, “didn??t know how to scratch,” he turned to instructional videos to hone his skills...
...players in Boston’s underground hip-hop scene for eight years, was looking for a new DJ. They picked up Shiftee, but didn??t know just what they’d gotten until one of their first shows together at The Muddy River Smokehouse in Portsmouth, N.H. Zornow’s performance set other DJs’ tongues wagging...