Word: didnã
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...didn??€™t want the audience viewing it throughout as a rose-tinted nostalgic spectacle...
...didn??€™t explicitly get those facts from the movie. Why did you choose not to give any background information or even narrate the film...
...really wanted people to look at the film and to have a kind of transportive cinematic experience. We didn??€™t want people sitting in the audience watching journalism. That’s why we held the title card that tells you this is the last time this will happen until the end—so that you are not thinking about it throughout...
...fiction and to therefore privilege human existence. The paradox is, it almost entirely consists of people after the fact telling you about their lives. If you asked me about my life, I would just lie through my teeth. Our aesthetic aspiration was about ambiguity, not about clarity. We didn??€™t want to give people the sense of reducing the magnitude of people’s lives to an issue...
...They didn??€™t need any convincing—the ranch owners had invited us to film. There wasn’t any reticence to our presence, but some wariness. The two hired hands [who are much of the film’s focus]—I am good friends with them both...