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Word: die (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...created not by the technology but by the politics of abortion. "Congress and our state legislatures are fearful of anything that gets them near the abortion debate," complained Caplan. "As a result, we have had no systematic discussion of surrogacy, of what to do with frozen embryos when parents die, of who can operate a fertility clinic. And we have had no systematic discussion of cloning...

Author: /time Magazine | Title: Cloning: Where Do We Draw the Line? | 11/8/1993 | See Source »

...point is the production hostile to the male members of its audience. In fact at many points the backchat on stage ("You have the curse `till you're an old woman. Then it stops. Then you die.") got more laughs from male than female spectators...

Author: By Tilly Franklin, | Title: At Emerson Stage, A Good Mother | 11/4/1993 | See Source »

...more intensely because of the probable but not inevitable brevity of my time. It's just the relationship with Jane [Kenyon] is better than ever, and then the grandchildren--but this is commonplace, I suppose, I also have a ninety-year-old mother who is of course going to die, but her mind is marvelous...

Author: By Natasha H. Leland, | Title: Making Poetry Work: A Conversation with Donald Hall | 11/4/1993 | See Source »

Altman based the film's nine interweaving narratives on his (mis)reading of Carver's ouevre, taking a set of poignant midwestern vignettes and turning them into a heavy-handed Hydra living out its pointless existence under the scorching sun of Los Angeles, the city where dreams die, or whatever. Setting "Short Cuts" in L.A., with all its metaphorical baggage, was a huge mistake on Altman's part, though only one of many. The main one was probably in trying to translate Carver's fragile stories to the screen in the first place...

Author: By Erica L. Werner, | Title: Not So Super 'Cuts' | 11/4/1993 | See Source »

...addition, the eroticism and sexuality which seem to come so easily in other Rice novels appears forced in Lasher. Thirteen-year-old Mona Mayfair, the heir to the Mayfair line should Rowan Mayfair die, displays a precocity beyond her years evident in her sexual encounters with Rowan's husband Michael. In a narrative account of a family based on incestuous relations, Mona's sexuality does not seem out of place. After all, the Mayfair line is founded on a series of bizarre couplings between relatives and between humans and spirits all in the name of the Mayfair family...

Author: By Kelli RAE Patton, | Title: Overambitious Lasher a Loser | 11/4/1993 | See Source »

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