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Word: diebenkorns (lookup in dictionary) (lookup stats)
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...hill proclaims Cézanne; the shuttered hotel room with a blue glimpse of sea beyond a curlicued balcony announces Matisse. On a less exalted level, can one drive through rural Pennsylvania and not think of Andrew Wyeth? It happens in California too, through the work of Richard Diebenkorn...

Author: /time Magazine | Title: Art: California in Eupeptic Color | 6/27/1977 | See Source »

...admired Diebenkorn's paintings of the late '50s, like Balcony, 1958, or View from the Porch, 1959, one comes to see the coastal suburbs of California in terms of them. Parallels of white curb and bright green lawn, the rising streets and bright evanescent houses, the thickly painted figures with features eroded by light, the sharp eupeptic color-emerald, persimmon, rust, ultramarine: the work was a discovery, a naming. For a time most young painters in the San Francisco Bay Area, where Diebenkorn studied and taught art in the late '40s and '50s, tried...

Author: /time Magazine | Title: Art: California in Eupeptic Color | 6/27/1977 | See Source »

Marlborough now represents 66 living artists, a few of them giants-including Bacon, Henry Moore and Clyfford Still. The majority, however, are middle-of-the-road figures like Fernando Botero, Michael Steiner or Richard Diebenkorn. Marlborough also manages the estates of David Smith, Jackson Pollock, Franz Kline and Ad Reinhardt...

Author: /time Magazine | Title: Art: Artfinger: Turning Pictures into Gold | 6/25/1973 | See Source »

...America demanding Hoving's resignation. Then the Met revealed another secret deal with Marlborough. At first it seemed that the museum had swapped two more De Groot paintings, a Modigliani and a Juan Gris, for Becca, a sculpture by David Smith and a painting by California Artist Richard Diebenkorn. Later the Met disclosed that the swap had cost the Met not two but six works - another Gris, a Bonnard, a Picasso and a Renoir...

Author: /time Magazine | Title: Art: The Met: Beleaguered but Defiant | 2/26/1973 | See Source »

Though his abstractions-unlike Diebenkorn's-seem to belong more to the realm of fantasy than fact, Natkin manages nonetheless to stimulate the imagination and guide the eye to a place of persuasive charm that is both abstract and real...

Author: /time Magazine | Title: Painting: Halfway House | 8/1/1969 | See Source »

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