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Word: diebenkorns (lookup in dictionary) (lookup stats)
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...producing "paintings" and start painting "pictures." Two years later, he submitted a clearly representational work, Kids on Bikes, 1950, to a competitive show -- and won, to the astonishment of the Bay Area's close-knit art community. "My God," remarked Park's friend, former student and fellow painter Richard Diebenkorn. "What's happened to David...

Author: /time Magazine | Title: Art: The San Francisco Rebellion | 2/5/1990 | See Source »

...Diebenkorn, along with Elmer Bischoff and James Weeks, joined Park on the faculty at the California School of Fine Arts. All eventually coalesced as the movement's "first generation," pursuing the paths opened up by Park's early experiments. By 1954 Park had moved beyond his initial, hard-edged, painstaking compositions to a manner represented in the show by Nudes by a River, loosely sketched bodies set down on brushy backgrounds filled in with broad, drippy strokes...

Author: /time Magazine | Title: Art: The San Francisco Rebellion | 2/5/1990 | See Source »

...Park, Diebenkorn and Bischoff regularly drew together from live models, eschewing abstract expressionism's notion of drawing "from the subconscious," a holdover from surrealist automatism. In a work of the '50s like Coffee, 1956, Diebenkorn smudged over or omitted facial features altogether. Bischoff harmonized roughly sketched figures and their environments in understated, cool-warm canvases like the perfectly composed Orange Sweater, 1955. Weeks, a billboard painter by trade, followed Park in destroying his earlier works, opting instead for abstracted figures rendered in big blocks of color...

Author: /time Magazine | Title: Art: The San Francisco Rebellion | 2/5/1990 | See Source »

...movement was winding down. Faced with the geometric, industrial forms of Pop and early minimalist art, paint-laden expressionism seemed exhausted and out of date. The second-generation artists moved on. Figures eventually vanished completely from Diebenkorn's work as he returned, in his Ocean Park series, to a refined and elegant abstraction...

Author: /time Magazine | Title: Art: The San Francisco Rebellion | 2/5/1990 | See Source »

...connectors. They are conceived as drawing: exact lines whose tautness is both visual and structural. The ancestor whom they evoke is the pre-1914 Matisse, whose near abstract views of Notre Dame through the studio window had as much effect on Wilmarth's sculpture as they did on Richard Diebenkorn's Ocean Parks...

Author: /time Magazine | Title: Art: Poetry In Glass and Steel | 6/26/1989 | See Source »

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