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...critics who ought to know better, misused ad nauseam by the art dealers' industry, and rare as the phoenix anyway -- Who wants it? And yet, who doesn't? Sometimes you come across a contemporary exhibition for which there is no other word, and the show of drawings by Richard Diebenkorn at the Museum of Modern Art in New York City...

Author: /time Magazine | Title: Art: Richard Diebenkorn's Drawings, The Decisive Line of a Master | 12/12/1988 | See Source »

...making things look easier, at least on the surface.) It is not present in raw talent. It rises from deep continuities, not sudden facile ruptures. There are a few living American artists who have it. One thinks of Robert Motherwell's collages, for instance. And in drawing, especially, of Diebenkorn...

Author: /time Magazine | Title: Art: Richard Diebenkorn's Drawings, The Decisive Line of a Master | 12/12/1988 | See Source »

...Diebenkorn, 66, has spent nearly all his working life in California; but the time is long past when he was regarded in New York as a California artist, with the slight condescension that implies. He is, quite simply, one of the best painters America has ever produced. He began as an abstract painter, making organic, landscape-like images in an idiom related to abstract expressionism; one of his inspirations, though in the end an adversary one, ! was Clyfford Still, a colleague at the California School of Fine Arts in San Francisco in the late '40s. Then in 1956 he turned...

Author: /time Magazine | Title: Art: Richard Diebenkorn's Drawings, The Decisive Line of a Master | 12/12/1988 | See Source »

...DRAWINGS OF RICHARD DIEBENKORN, Museum of Modern Art, New York City. A full-scale survey of the West Coast painter's works on paper, offering a rich view of his abstract and representational periods. Through...

Author: /time Magazine | Title: Critics' Choice: Dec. 5, 1988 | 12/5/1988 | See Source »

...price of being the world's fantasy mill. Its origins lie in the fierce distrust of popular culture (which Los Angeles epitomizes) among New York City intellectuals of the '40s and '50s. In fact, one can make a most impressive list of contemporary Los Angeles artists, from Richard Diebenkorn to the young < sculptor Mark Lere. But what the city lacked was the sense of layering, of patronage and museum policy, of critical argument and institutional depth...

Author: /time Magazine | Title: Art: Getting On the Map | 1/12/1987 | See Source »

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