Word: dieckmann
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...ordinarily enough as she buys groceries and party decorations for her daughter’s sixth birthday party, later deciding to enter a writing contest in which she must describe the essence of motherhood in 500 words or less. As the day wears on, however, it feels as though Dieckmann piles a whole life’s worth of unfortunate events into the few hours she has. Soon enough Eliza has had a minor breakdown, a confusing interaction with a sexy younger delivery boy, and an enormous fight with her best friend. She has also saved her child?...
...think it’s interesting that people assume that motherhood isn’t worth a complex portrait in film,” says Katherine Dieckmann. The indie director—whose previous credits include directing Paul Rudd in “Diggers” and R.E.M. in the “Shiny Happy People” video—attempts to remedy this fact with her new film, “Motherhood.” The film marks a departure for Uma Thurman, who plays the protagonist, Eliza, a harried Manhattan mother who struggles to throw her daughter?...
Given the vast array of previous family-focused films, Dieckmann strove to create a realistic yet complex portrait of motherhood. “I felt, as a filmmaker, very frustrated with the lack of multidimensional mothers on film,” Dieckmann says. She didn’t want to create a suburban family comedy (“We’ve seen that movie,” she explains), nor did she aim to produce yet another film about a mother’s psychological crisis. “I didn’t want [to portray] the mother...
...urban one, too; the film takes place in the heart of New York City’s bustling Greenwich Village. Despite the fact that most young families reside in suburban or rural areas, Dieckmann and Thurman were determined to capture the unique challenges of raising a child in the city. “The urban environment makes a mother’s challenges more hyperbolic,” Dieckmann explains. Thurman, too, appreciated the film’s treatment of the difficulties encountered when starting a family in a metropolis. “The urban environment is actively antagonistic...
...film, Eliza meets with many similar roadblocks, from getting her car towed to schlepping groceries by bicycle through the streets of Manhattan. To create these moments, the director drew on experiences from her own life. “I went through almost everything in this film,” Dieckmann attests. “Magnolia Bakery did misspell my daughter’s name on her birthday cake, and refused to fix it, and film crews did disrupt traffic to film on my street...