Word: died
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Dates: during 1950-1959
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...shocked at the cover. The greatest kindness to Pasternak would be not to print one further word about him. He wants to stay and die in Russia...
Whenever there is a tremor and a turn at the top of the Communist world, ritual requires that the losers be brought forth to confess their errors, praise their vanquishers and-possibly-face the consequences. So far Khrushchev has decreed that Old Bolshies need not die, but just fade away. But the acrid gun smell of the past lurks around the Kremlin, and last week Nikita Khrushchev invoked another ritual of the Stalinist era: the public recantation, admitting to mistakes so that the boss may escape the rap for them...
...Must Die. Jules Dassin (Rififi) has made a magnificent cinema-daptation of The Greek Passion, Nikos Kazantzakis' novel about a modern imitation of Christ (see below...
...Must Die (Kassler) is one of the most powerful religious statements the screen has made in many a year. The fact has its ironic implications. The man who made the film, a 46-year-old New Yorker named Jules Dassin, was blacklisted in Hollywood after a witness told a congressional investigating committee that he was a Communist. When he worked in the U.S., Dassin was regarded as nothing more than a capable technician of suspense (Naked City, Brute Force). Rififi, a thriller he made in France after five years without work, revealed him as a superb one. He Who Must...
...KING MUST DIE, by Mary Renault. No great novelist but an eminently able literary archaeologist, Author Renault dug up the year's best piece of historical fiction. Her telling of the bloody Theseus story and her meticulously detailed view of ancient Mediterranean life is a notable achievement...