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Word: died (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...vision abroad of an incorrigibly profligate America led to skepticism about Carter's energy speeches. "I cannot believe Carter," said Thomas Jensen, an Oslo plumber, "until I see his words transformed into results, and that depends on Americans, who waste energy so badly." Vienna's daily Die Presse wrote: "The chances of the Carter plan's success are small because of conflicting interests and the population's clinging to 'the American way of life.'" Unfortunately, European, Asian and other foreign commentators failed to recognize that if Carter realizes his goal of creating an extremely...

Author: /time Magazine | Title: Nation: Slumping to a New Low Abroad | 7/30/1979 | See Source »

...next day, I kept a careful eye on Michigan Avenue, wondering if some die-hard Bleacher Bums would make my friend keep his promise. He never showed--not that I really expected...

Author: By Mark D. Director, SPECIAL TO THE CRIMSON | Title: It's Home | 7/27/1979 | See Source »

Young's new album--one side acoustic, the other electric--is the most honest of these three in confronting the horrible personality disorders of the "too old to rock and roll, too young to die" pop star. One song in particular, "My, My, Hey, Hey"--which gets both acoustic and electric treatments--sums up the sentiment of Rust Never Sleeps...

Author: By Scott A. Rosenberg, | Title: My Generation, Past Thirty | 7/27/1979 | See Source »

...LOEB'S production of Lulu is the perfect portrayal of a nightmare. The stage is draped in red. Characters float in and out and die while piano rags tinkle soothingly in the background. As in all nightmares, there is no interior logic, just a disembodied series of sketches that provoke mingled horror and impatience at their very disjointedness. For all the melodrama, stabbings, shootings, spurting of blood and impassioned speeches, the play leaves one fundamentally cold. And Frank Wedekind probably wanted it that...

Author: By Susan D. Chira, | Title: Clever But Cold | 7/24/1979 | See Source »

Whose Life Is It Anyway? The strang est objects in New York theaters this sea son are plays that might be labeled terminal comedy cases. They highlight people who defend with their wit and ironic quips the right to die. This is the best of those plays, and Tom Conti, paralyzed from the neck down, is the most at tractive antihero in that we root for his decision to die and mourn the imminent loss of a vitally amusing friend at the same time...

Author: /time Magazine | Title: Theater: Summer Fair | 7/23/1979 | See Source »

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