Word: dieingly
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Dates: during 1960-1969
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SINGER PRESENTS ELVIS (NBC, 9-10 p.m.). Old idols never die. They just repeat their high-rated television specials...
...Captain America, drooled over in infatuated close-ups, and bad guys, the yahoos of the South and over-thirty America in general. The good guys are warding off the yahoos (a young commune member prays to God "Thank you for a place to make a stand.") Billy and Wyatt die because they are free, like all good guys. (Hanson says: "They're scared of what you represent to them--freedom.") But free of what? Certainly not of American yahoo aspirations--Billy intends to buy a home in Florida with his share of the loot. This is what Hopper insists...
Shooting Gallery. The price of the heightened violence is heavy, and not only to the combatants. Last week Swedish Major Bo Roland Plane, one of the 92 United Nations observers stationed along the canal, became the second U.N. officer to die since the outbreak of hostilities 25 months ago; an earlier death occurred during the 1967 fighting in Syria. Major Plane was killed by an Israeli shell fragment at his observation post near Port Tewfik on the Egyptian side of the canal. The post had already sustained several near misses and one direct hit that blew a hole...
...which most people accept violence as the way life is, Ginsberg has managed to remain fervently gentle. If he still calls for nothing less than a complete revolution, he also insists that his role within it will be a compassionate and bloodless one. "I'm willing to die for freedom," he told an interviewer recently, "but I'm not willing to kill for it." Such a distinction, and the commitment to it, seems to make sense to a considerable number of Americans-especially the young, who would have to do the killing...
...singing. Jannings charges offstage to kill her; her flight is shot in high-angle, expressing the degree of freedom in even Jannings' most desperate action. Indeed, Sternberg cuts away to a doorway rather than showing Jannings being strait-jacketed. Later released, he returns to his old school desk to die the death of all Expressionist heroes. But Sternberg ends the film with shots of Dietrich, the burning Romantic figure and object, so that even in the person of the protagonists Sternberg's system triumphs over the Expressionistic scheme...