Word: dies
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Dates: during 1960-1969
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...First to die was John Kent ("Shob") Carter, 25, whose body was found one night in his psychedelically painted apartment. He had been stabbed twelve times with a butcher knife, and his right arm was severed at the elbow. A few days later near Sausalito, a pair of hikers discovered the body of William
Through an angry summer of racial rioting, the pillagers, the arsonists and the snipers, the anarchists, the loudmouths and the demagogues have held the center of the stage. When the fury abates and the fires die down, a wholly different cast of characters will move in to repair the damage. These are the real revolutionaries, the men who have been laboring undramatically for years, and in some cases for decades, to secure for the Negro a more equitable share of America's affluence. "These are the people who can do more," says Massachusetts Republican Edward Brooke, the first Negro...
...learned them at 14, played them in a cycle of concerts in London last spring, and is now recording them all on the Angel label. "If you could work to an ideal interpretation, then you'd have to wait to record everything on the day before you die," he says. "All music is something that's made at a certain time. And it doesn't get better by being left in a drawer...
Perhaps still more potent, and still relatively safe, is the anticoagulant drug warfarin. Less than 1/500th of an ounce is enough to make an adult rat die of internal bleeding. Ironically, the brown rats' white kin in laboratories helped University of Wisconsin researchers develop warfarin anticoagulants as lifesavers for men and killers for rats...
...marvelous conversations with Eckermann, the elderly Goethe once remarked that the difference between Classicism and Romanticism was the difference between health and disease. He did not live to know the work of the arch Romantic Wagner, who could reflect both: if Tristan suggests illness, Die Meistersinger is a paragon of health. Last night, the latter's Prelude - which more successfully survives detachment from the whole than most of the other Wagner excerpts that turn up in the concert hall - came through with a good deal of its innate robustness and exuberance. In some places the strings were overpowered...