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The voice is smiling and seductive: "We'll go away together . . . Come away love, come away." The voice is big and bold: "Hey, you fool you! Why so cool you!" The voice is sad and soft behind real tears as the lights go down: "Only yesterday, when the world...

Author: /time Magazine | Title: NIGHTCLUBS: Lady in the Light | 8/24/1959 | See Source »

A favorite British myth that dies hard is that two Englishmen stranded on a desert island would not speak until properly introduced. Many an American tourist has found the silence in a British railway carriage oppressive. But last week, with an air of discovery, the Manchester Guardian reported the existence...

Author: /time Magazine | Title: GREAT BRITAIN: The Chatterboxes | 8/3/1959 | See Source »

The core of the book is a well-conceived act of psychological villainy: the hero, crippled emotionally when his second wife dies in childbirth, raises his infant daughter in her mother's cold image, and thwarts all the child's efforts to break free of his oppressive love...

Author: /time Magazine | Title: Books: Moss on the Manse | 8/3/1959 | See Source »

Coming after 29-year-old Author Feibleman's exceptional first novel, A Place Without Twilight (TIME, March 3, 1958), the new book is a disappointment. But for all its melodrama and its occasional flavor of Charles Addams under the magnolias, it is still well worth reading. Feibleman is a...

Author: /time Magazine | Title: Books: Moss on the Manse | 8/3/1959 | See Source »

The symbolism of "Chalk Garden" depends on the fact that for most of the play the two quarrels are equivalent. Madrigal and Pinkbell dispute for control of Mrs. St. Maugham's chalk garden. Pinkbell has always had control over it, and when Madrigal arrives she completely inverts all of Pinkbell...

Author: By John Kasdan, | Title: 'Chalk Garden' at Tufts Arena; Karen Johnson in Starring Role | 7/23/1959 | See Source »

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