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...proviso and no stipend for rehearsal time. The top salary is $1,800 per performance; international stars earn as much as $12,000 a night. So Sussex gets them early or not at all: Pavarotti, Frederica von Stade and Kathleen Battle all passed through, but Domingo, Dietrich Fischer-Dieskau and Cecilia Bartoli slipped...

Author: /time Magazine | Title: OPERA: Smiles of A Summer Night | 6/13/1994 | See Source »

BEETHOVEN: AN DIE FERNE GELIEBTE/BRAHMS: VIER ERNSTE GESAENGE (Deutsche Grammophon). Tenors, sopranos, basses, mezzos: eat your hearts out! The best classical singer since World War II is baritone Dietrich Fischer-Dieskau, who proves it on this dazzling lieder collection...

Author: /time Magazine | Title: Critics' Voices: Oct. 23, 1989 | 10/23/1989 | See Source »

...histrionic demands of opera and the more intimate sentiments of lieder. He is in demand at the world's great opera houses, has made dozens of recordings and in his native Germany has had his own television show. Along with his colleague and rival Dietrich Fischer-Dieskau, he has long been regarded as a leading German baritone of his generation, and possesses a more beautiful voice than Fischer-Dieskau. So why is Hermann Prey restless...

Author: /time Magazine | Title: Music: No More Mr. Nice Guy | 11/22/1982 | See Source »

...dramatic imagination. Mr. Pavarotti uses his voice with a bit more fashion than most of his contemporaries, but his singing is still a far cry from Gigli, Martinelli, or Schipa. What the operatic world needs today is a few more tenors with the keen interpretive sense of a Fisher Dieskau...

Author: By Lorenzo Mariani, | Title: A Reputation (Like Everything Else About Him), Overblown | 5/12/1977 | See Source »

Most of the current Schubert literature is based, as Fischer-Dieskau notes, on the documents unearthed and published in 1946 by the Austrian scholar Otto Erich Deutsch. Compared with the 1,500 letters of Beethoven that still exist, the Schubert documentation is woefully small. Use of the songs to fill in some of the "psychological gaps" is a potentially dangerous technique. Mozart, for example, produced joyous music in desperate circumstances. With Schubert, however, it seems an acceptable approach. Aside from his school teaching and boozy sessions in various Viennese inns, the composer had almost no life at all apart from...

Author: /time Magazine | Title: Books: Follow the Lieder | 4/18/1977 | See Source »

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