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...castrati singers were frowned upon.) Of the two versions, Epic's (in French) is more authentic historically, but less effective, chiefly because Canadian Tenor Leopold Simoneau's silver-hued voice seems less moving in the role of the suffering Orpheus than the lyric baritone of Dietrich Fischer-Dieskau, imaginatively cast by Decca in its German-language version. The supporting casts in both albums are excellent: Sopranos Suzanne Danco and Pierette Alarie (Epic), Maria Stader and Rita Streich (Decca). Despite the good singing, the recordings suffer from the opera's basic structural fault. Groundbreaker though...

Author: /time Magazine | Title: Music: New Records, Jul. 1, 1957 | 7/1/1957 | See Source »

...appear of the 165-year-old masterpiece. Soprano Maria Stader makes Pamina a joy to the ear; Rita Streich is awesomely secure in the Queen of the Night's sky-high aerobatics, while the two leading men, Tenor Ernst Häfliger and Baritone Dietrich Fischer-Dieskau, use their handsome voices with distinction...

Author: /time Magazine | Title: Music: New Records, Apr. 30, 1956 | 4/30/1956 | See Source »

...Musically, Bayreuth's Dutchman was superior. Listeners were especially pleased with the Metropolitan Opera's statuesque Soprano Astrid Varnay as Senta. Most popular opera of Bayreuth's season thus far: Tannhduser, with the role of Wolfram sensitively sung by Germany's young (30) Dietrich Fischer-Dieskau, a rising new baritone...

Author: /time Magazine | Title: Music: Top Trio | 8/8/1955 | See Source »

Prades (July 2-18) will present famed Cellist Pablo Casals, 78, in his sixth festival, this one devoted to music of Bach, Schubert and Brahms. Other soloists: Violinist Yehudi Menuhin; Pianists Eugene Istomin and Mieczyslaw Horszowski; Singers Eleanor Steber, Dietrich Fischer-Dieskau and Jan Peerce...

Author: /time Magazine | Title: Music: Europe by Ear | 5/30/1955 | See Source »

Bach: St. Matthew Passion (Elfriede Troetschel, soprano; Diana Eutrati, contralto; Friedrich Haertel, bass; D. Fi-scher-Dieskau, baritone; Helmut Kreps, tenor; Boys' Choir of St. Hedwig's Cathedral, the augmented choir and orchestra of the Berlin Radio, Fritz Lehmann conducting; Vox, 8 sides LP). One of the first postwar German recordings. Bach's great score is unabridged, the orchestra and chorus are fine, the soloists are good. Recording: excellent...

Author: /time Magazine | Title: Music: New Records, Feb. 20, 1950 | 2/20/1950 | See Source »

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