Word: dietrichs
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...appears on the screen, the story of two nimble-wits (Pat O'Brien and Frank McHugh) who win a beauty contest with a composite photograph of Harlow, Garbo, Dietrich et al. and then palm off a dowdy chambermaid (Marion Davies) as their "original," turns out to be worth considerably less than the purchase price. Under Director Mervyn LeRoy, whose motto seems to have been "When in doubt, shout," Page Miss Glory becomes the noisiest comedy in months, with only Patsy Kelly as a morose chambermaid and Allen Jenkins as a kidnapper managing to give credible performances...
...numerous U. S. localities which maintain open-air summer concerts, only the Hollywood Bowl pretentiously labels its performances "Symphonies Under the Stars." One night last week Peggy Wood, Marlene Dietrich, Josef von Sternberg, Jeanette MacDonald, Corinne Griffith and some 18,000 others heard Otto Klemperer play Beethoven, Wagner, Debussy, Al-beniz, Berlioz in the Bowl's opener. Conductors to follow during the eight-week season : Willem Mengelberg, Ernest Schelling, Bernardino Molinari, José Iturbi...
...widow's weeds, holding an apple stuck on a knife, against a wallpaper background of orange blossoms. Economy offered Greta Garbo pinching a smartly painted penny and wearing for a hat a sauce pan from whose handle dangled a pair of eyeglasses. Mater Dolorosa was a hollow-cheeked Marlene Dietrich, with heart-shaped buckles on her suspenders, a phonograph record on her head, looking into a magnifying mirror...
...biggest thing in Martin Kosleck's life was, up to last month, the time he acted in a play in Berlin with Marlene Dietrich. Some time after Miss Dietrich learned English and migrated to Hollywood, emotional young Kosleck also taught himself English (on a phonograph) and went to Hollywood. As an actor, the young German was ignored by the cinema industry. The best he could do was to get a part in The Brothers Karamazov at the Pasadena Community Playhouse. To while the time away, Kosleck taught himself to paint, did some background pictures for a Janet Gaynor film. Last...
Adapted by John Dos Passos from a novel by Pierre Louys, filmed in Director von Sternberg's best darkly sardonic style, The Devil Is a Woman is a slow, rococo anecdote about the vicious sex-life of a Spanish cafe dancer (Dietrich) and the middle-aged army officer (Lionel Atwill) whose career is shattered by his morbid passion for her. Infinitely more adult in its approach to human values than such a picture as The Scoundrel (see above), this effort by one of Hollywood's most famed directors is correspondingly more childish in its manner. After winding through...