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...best to remove intention in order that what is done will not oblige the listener in any one way. I don't think we're really interested in the validity of compositions any more. We're interested in the experiences of things." Then how does art differ from chaos? To that, Cage smiles and says: "It's a beautiful question...

Author: /time Magazine | Title: Composers: Of Dice and Din | 5/30/1969 | See Source »

...most of the nation's 6,700,000 collegians are still quietly studying for final exams. The U.S. has 2,500 colleges and universities; this year, scarcely two dozen have been seriously disrupted. The fact that each incident has a particular context is also frequently overlooked. Because universities differ so greatly, condemnation of all "protest" is not very helpful without an analysis of specifics at each campus...

Author: /time Magazine | Title: Students: The Political University | 5/16/1969 | See Source »

What sculpture did Daumier really model? How does bronze cast differ from the original clay? Scarcity of documents about Daumier sculpture create problems for the historian. None of the sculptures were cast in bronze during Daumier's life; since then many casts have been made from the clay originals and works of unknown origin have appeared...

Author: By Cynthia Saltzman, | Title: Daumier Sculpture | 5/14/1969 | See Source »

...closely associated through the years, Pompidou and De Gaulle could hardly differ more in taste, temperament and approach to life. De Gaulle believed in the imperious exercise of power; Pompidou has promised to serve the nation as an "arbiter." De Gaulle spoke 19th century French and believed in the magic of being mysterious and aloof. Pompidou mingles easily with jet-setters and peasants alike, a ubiquitous cigarette dangling off-center on his lower lip. De Gaulle liked best the France of the history books. Pompidou lives each day as it comes, reveling in the hurly-burly of politics and high...

Author: /time Magazine | Title: World: FRANCE ENTERS A NEW ERA | 5/9/1969 | See Source »

...season when a number of dealers and publications have been touting "photographic realism" as the latest new trend, at least two of Manhattan's abler painters have proudly displayed what might be called unphotographic realism. Their canvases differ widely, but both Jack Beal, 37, and Joseph Raffael, 36, invest the visible world with invisible qualities of fantasy and imagination...

Author: /time Magazine | Title: Painting: Unphotography | 4/11/1969 | See Source »

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