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Conor Oberst is the hottest little indie duckling around. Over the past few years, Oberst’s Bright Eyes project has peddled his singular brand of disingenuous melancholy all the way to the gatekeeper of the musical elite: Maxim’s Blender magazine. His Omaha-based label Saddle...

Author: By Ben F. Tarnoff, CONTRIBUTING WRITER | Title: CD Review | 2/11/2005 | See Source »

It’s hard to tell how much of the music in Digital Ash is electronically produced and how much of it is just Oberst’s studio band. Either way, there’s much more here (and somehow, much less) than a boy and a guitar...

Author: By Ben F. Tarnoff, CONTRIBUTING WRITER | Title: CD Review | 2/11/2005 | See Source »

Similar doubts dog Kodak's most promising digital adventure--medical imaging, a process that extends from the nonfilm capture of X-ray images to their dispersal through a hospital network and their digital manipulation to produce detailed images. Kodak sells digital radiology machines and software that manages the diagnostic and...

Author: /time Magazine | Title: Getting Kodak To Focus | 2/7/2005 | See Source »

Carp's clarity of purpose and Perez's management seem to have engendered some enthusiasm, but this is epic work. Very few companies of this size, faced with a seismic shift in technology, emerge intact. When his team gets weary, says Pierre Schaeffer, director of business strategy for Kodak's...

Author: /time Magazine | Title: Getting Kodak To Focus | 2/7/2005 | See Source »

The company's third core business, commercial printing, seems promising, even though it's losing money right now. But here Kodak will have to battle a giant called Xerox. That does not mean the technology is anything like that of office photocopying. Kodak's machines can be 40 ft. long...

Author: /time Magazine | Title: Getting Kodak To Focus | 2/7/2005 | See Source »

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