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2. On current copyright law: As Lessig explains, today's copyright laws regulate reproductions or "copies." But in a digital context, every time you listen to a song or play a video, that content is "copied" from a server somewhere to the hard drive in your computer. The same is...

Author: /time Magazine | Title: Lawrence Lessig: Decriminalizing the Remix | 10/17/2008 | See Source »

3. On the birth of the "Copyright Wars": According to Lessig, the war began during the fall of 1995, when members of the "content industry" (read: media giants) began to grasp the implications of digital technology on copyright enforcement. (An analog tape was difficult to copy and disseminate. An MP3...

Author: /time Magazine | Title: Lawrence Lessig: Decriminalizing the Remix | 10/17/2008 | See Source »

4. On technology as the solution, not the problem: Though media companies and the government have relied on lawyers to fight digital piracy, Lessig highlights the much more logical approach of Apple CEO Steve Jobs, who chose to forgo such legal weapons in favor of a "fight-fire-with-fire...

Author: /time Magazine | Title: Lawrence Lessig: Decriminalizing the Remix | 10/17/2008 | See Source »

5. On the remix as an art form: Likening this new form of digital creativity to a chef using store-bought ingredients, Lessige writes, "the remix artist does the same thing with bits of culture found in his digital cupboard." To him, such artistic expression represents an entirely new way...

Author: /time Magazine | Title: Lawrence Lessig: Decriminalizing the Remix | 10/17/2008 | See Source »

The Lowdown: Fittingly enough, Lessig's book is a literary remix of sorts. Once dubbed a "philosopher king of Internet law," he writes with a unique mix of legal expertise, historic facts and cultural curiosity, citing everything from turn-of-the-century Congressional testimony to Wikipedia to contemporary best-sellers...

Author: /time Magazine | Title: Lawrence Lessig: Decriminalizing the Remix | 10/17/2008 | See Source »

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