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Word: dikeman (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Butterfly: 1. H, Imredy 1:52.41; 2. H, Peltier 1:53.57; 3. H, Bird 1:53.75; 4. A, Dikeman 1:55.44; 5. A, Redd 1:56.42; 6. H, Hume 1:58.78; 7. A, Simpson 1:59.22, 8. A, McIntosh...

Author: NO WRITER ATTRIBUTED | Title: Men's Swimming | 12/14/1987 | See Source »

...Freestyle: 1. H, Shagena 1:41.59; 2. H, Smith 1:42.05; 3. A, Welch 1:43.79; 4. H, Lee 1:43.79; 5. A, Reardon 1:44.34; 6, A, Smorra 1:45.31; 7. A, Dikeman...

Author: NO WRITER ATTRIBUTED | Title: Men's Swimming | 12/14/1987 | See Source »

...Kaplan 46.40, Shagena 45.99, Smith 46.93, Jaffe 45.51); 2. A, 3:11.06 (Tieke 47.61, Krall 47.36, Smorra 47.51, Welch 48.48); 3. H, 3:13.66 (Osterras 49.84; Lin 47.53, Johnson 48.85, Lee 47.44); 4. A, 3:23.18 (Post 49.48, Reardon 46.59, Matheson 49.31, Permuth 48.66); U.A, 3:23.18 (Ewen 48.73, Dikeman 48.41, Rockwell 50.20, McIntosh 54.84); 5. H, 3:29.53 (Lende 50.93, Plunkett 51.41, Killian 53.57, Kaufman...

Author: NO WRITER ATTRIBUTED | Title: Men's Swimming | 12/14/1987 | See Source »

...energy and musical strength. The Vocal Minority (Catherine Josman, Susan Minter, Heather Moore, Jennifer Bryant), the choral backup, swells the musical numbers and fills in the gaps with an unflagging stream of beautiful singing. Equally indefatigable was the professional performance of Laurence Sobel on the piano, with Rich Dikeman on an electric keyboard that provided ice-skating-rink music to humorous effect. Led by Morland, the cast rejuvenates for the last song, "Company," and launches a high-energy, Broadway-type finale to a 100-percent fun show...

Author: By Gregory M. Daniels, | Title: Song and Dance | 4/20/1983 | See Source »

This production's success is due in no small part to the tremendous enthusiasm of the cast. Rich Dikeman's Leading Player is sly, smooth, and agile. As Pippin, Justin Richardson evokes to perfection just the sort of boyish innocence and enthusiasm that the roe demands. And it's hard to believe that John D. Langdon's Charles isn't an emperor: his physical authority and voice really hold the stage. As Catherine, Pippins's final love. Susan Power conveys warms and sincerity, and on the opposite end of the scale. Ann Henry's Fastrada captures well the brashly devious...

Author: By Jean-christophe Castelli, | Title: Holy Roman Angst | 11/11/1982 | See Source »

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