Word: dilbert
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Dates: during 1960-1969
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...always gratifying to witness a performer improve his role, and this production affords that gratification in triplicate to staunch Harvard Dilbert and Sullivan patrons. John McKean seems to have found, in Ralph Rackstraw, the Gilbertian lead to which he is best suited. The part calls for rapid changes of character: from a caricature of soulfulness to impetuosity to prideful rage to rapture to despair to pompous authority and back, finally, to rapture. That McKean can make so many transitions so rapidly is itself a feat worthy of praise; that he makes them so smoothly and so convincingly is simply amazing...