Word: diller
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...help finance a dubious dolphin-human communication experiment. It was a bust. The young dolphins, named Joe and Rosie after the late movie magnate Joseph E. Levine, who produced Day of the Dolphin (1973), and his wife Rosalie, attracted the attention of a parade of celebrities, including Phyllis Diller, Kris Kristofferson and Olivia Newton-John. Some notables even swam with the pair at Marine World/Africa USA in Redwood City, Calif...
...fledgling network has assembled an impressive roster of Hollywood talent. At the top of Murdoch's entertainment conglomerate is Barry Diller, who was head of Paramount from 1974 to 1984, turning out such hits as Raiders of the Lost Ark and Flashdance. To run its program department, Fox raided NBC for a 29-year-old whiz kid named Garth Ancier. To create shows, it has enlisted such seasoned producers as James L. Brooks (The Mary Tyler Moore Show), Ed. Weinberger (Taxi) and Stephen J. Cannell (The A-Team...
...Jump Street will spend an hour each week following the exploits of a group of undercover cops on the high school beat. Fox officials admit that much of this is hardly breakthrough material. "Have we reconceived the mousetrap? Do we feel any necessity to do so? No," says Diller. "But we will by definition take more risks...
Mancuso has painful memories to bolster his caution. He became Paramount chairman after the departure in 1984 of tough, abrasive Barry Diller, 44, who suddenly skipped over to become head of 20th Century-Fox. The reason for Diller's departure: differences over management style with Gulf & Western CEO Martin Davis. Diller was followed out the door by Paramount President Michael Eisner, 44, who accepted an offer to become chairman of Disney. A number of senior Paramount production executives departed in the duo's wake. Recalls Ned Tanen, 55, currently head of Paramount's motion-picture group: "Frank (Mancuso...
Before the Diller-Eisner team left, it had already moved Paramount neck- and-neck with Warner for Hollywood's No. 1 studio slot with such hits as Flashdance, An Officer and a Gentleman and Raiders of the Lost Ark. In Diller's final year, Paramount's profits hit what was then an all-time peak of $109 million on revenues of $986.6 million. The duo left behind one monster hit, Beverly Hills Cop, which subsequently brought in $235 million. But the Paramount stable also included such nags as King David ($5.1 million) and Explorers ($9.9 million). Paramount's market share...