Word: dillman
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...million, according to the National Sporting Goods Association (NSGA). Apparel sales totaled $254 million in 2002, a 31% decline from 10 years earlier; sales of tennis shoes were down 33% from their 1992 levels. "It's safe to say the tennis business is lethargic right now," says Brian Dillman, vice president of marketing for Wilson Sporting Goods' racquet-sports division, whose profits have fallen 23% since 2000. "There's not much to get excited about...
Manufacturers and retailers are moving forward with RFID for backroom logistics. In June Wal-Mart CIO Linda Dillman gave the firm's 100 top suppliers--which provide half the goods on its shelves--a veiled ultimatum about the stuff flowing into its 103 U.S. distribution centers. Vendors who don't use EPC codes on pallets and cases by 2005 could risk losing business. "By 2006, we'd like to roll it out with all our suppliers," says spokesman Tom Williams. Wal-Mart, which did much the same with the bar code, has admitted there is no timeline for RFID-tagging...
...sinister variety of insect. These nasty buggers can start fires, attach themselves to humans and, as the police reports put it, "inflict serious damage resulting in death." How they manage to do this and where they come from are matters of the greatest interest to James Parmiter (Bradford Dillman), a slightly out-of-kilter science professor at the local college. He takes to studying the diabolical little things and unknowingly transports a couple home...
...when he comes out of the mine and into the day light. Between the beginning and end of Gold there is a great deal of foolish ness about Sir John's plotting, Roger Moore's carrying on with the wife of his immediate and sinister superior (Bradford Dillman) and the wife's (Susannah York) becoming smitten with Moore...
Richard Harris is a hit man brought in by Underworld Overlord Edmund O'Brien to fight his gang war for him. O'Brien's rival is Bradford Dillman; Dillman's big gun is Chuck Connors, who performs various cruelties (on Kathrine Baumann, among others) with an artificial arm. The sadism strikes the moviemakers as funny; it is not. And as further evidence of the decline of Director Frankenheimer's creative energy, the film approaches tragedy...