Word: dimarco
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...contemporary group piece, lacked basic unison for almost its full duration. This disunity coupled with a distracting costume choice—silky, over-sized men’s shirts—diverted attention from a unique and difficult choreography by Boston Ballet’s Gianni DiMarco. Choreographed to the music “Recycled Air” by the Postal Service, the second piece was a disappointing classical pas de deux. Dancers Pilar A. Ochi ’08 and Keller were hardly able to demonstrate their adept skills, in part, limited by the choreography of Lila K. Gollogly...
...Jodi Allen, a Harvard Dance Program instructor and a professional dancer.“It’s a very powerful piece,” says Julia K. Lindpaintner ’09. “It definitely pushes us to our physical limits.”Gianni DiMarco, a dancer and choreographer from the Boston Ballet, choreographed the third number specifically for this concert. The piece has a challenging seven-count time and promises innovation all around.“It’s modern on pointe,” says Madelyn...
...because of its structure and character definition. For all that, Romano acts like a man who is more comfortable with failure. After he takes 10 shots on a par four, he becomes probably the first celebrity to actually write down the 10. "Jack Nicholson," says celebrity golf pro Steve DiMarco, "would have taken a four on that...
Beyond the chosen student works were three dances by guest choreographers. “If I Only Had Time” by Gianni DiMarco, a performer with the Boston Ballet Company, contrasted classical Vivaldi with modern ballet. DiMarco’s movements fluttered to the shifting pace of harpsichord and strings, using all parts of the body. The dancers maneuvered on the floor, in perfect marching blocks, or chaotic ensembles. Through the schizophrenic rhythmic changes and steps, “If I Only Had Time” captured the vivacity of life...
...youthful Princess Aurora in "The Sleeping Beauty," Ponomarenko dances with the broken-hearted delicacy of an innocent girl losing her first love to another woman. Her mournful poignancy pulls at one's heartstrings so much that one cannot be completely sympathetic toward Carmen. On a more upbeat note, however, DiMarco and his fellow toreadors strut their stuff with a confident grace that compliments that of Carmen herself. Berdo, as the torn Don Jose, alternates well between his haughty, machismo corporal side and his madwith-passion lover side. And of course, Suarez and her various partners meld with a vibrant fluidity...