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...major difference from the Mad Max kind of two-dimensional role--I saw this guy as having a lot more dimension and a more real approach to life, and a conflict inside himself which he resolves more completely in the end...I think you have to be different. I think in those films he's seen as normal--it's normal behavior for that world. In this it is not, it's abnormal...

Author: NO WRITER ATTRIBUTED | Title: Mad Mel Gibson Kills Again | 3/12/1987 | See Source »

Reagan created a mythic world in the afternoon and gave it moral dimension at night. He wasn't so much describing reality as making a point. That is pretty much what he has been doing ever since. He denies that Hollywood marriages can't last as he is being divorced...

Author: By Steven Lichtman, | Title: ON BOOKS | 3/3/1987 | See Source »

The future of modern art, according to Stella, lies in an exploration of the third dimension, using the tools of perspective and shading that abstraction has ignored. But is this enough? The examples of "interior space" that Stella presents from his own works are not very convincing arguments; exploiting the...

Author: By Cyrus M. Sanai, | Title: Inter-Stella Space | 1/12/1987 | See Source »

The avant-garde of abstraction shot itself into outer space several years ago. Stella believes that exploring the third dimension has freshened his art, and more power to him. But a reader would have as much chance of finding the salvation of modern art in Working Space as in the...

Author: By Cyrus M. Sanai, | Title: Inter-Stella Space | 1/12/1987 | See Source »

Kopit has certainly dramatized some weighty matter in the past--genocide (Indians), stroke victims (Wings), and dead fathers (the classic Oh Dad, Poor Dad, Mama's Hung You in the Closet and I'm Feeling So Sad). But nuclear holocaust is of a whole other dimension, and Kopit here chooses...

Author: By Abigail M. Mcganney, | Title: Playing With Armageddon | 1/9/1987 | See Source »

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